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Royal Academy Opera – The Magic Flute

Similarly, Camilla Saba Davies’s Queen of the Night, intriguingly costumed as something akin to a dragonfly, has vocal confidence, technical brilliance, emotional depth and a wonderfully malevolent Ortrud-esque quality to it. Both arias were smashing.

Leigh Nios mo
13 Samhain 2019www.classicalsource.comAlexander Campbell
confused in love

Camilla Saba Davies, whose soprano voice, which alternates between lyrical and furious moments, is believed to be capable of anything, is transformed into Ernestina; before that it was still the role of the bubbly Franziska Weber.

Leigh Nios mo
17 Samhain 2021www.sueddeutsche.dePaul Schäufele