David Price
Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 1981 — Inné
Goyescas by Enrique Granados and Abu Hassan by Carl Maria von Weber, GranadosVon Weber
Delaware Valley Opera CompanyAbu Hasan
Féach ar an gclár, an fhoireann agus an fhoireannLes contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Delaware Valley Opera CompanySpalanzani + 1 ról
Féach ar an bhfoireann agus an fhoireannDie lustige Witwe (The Merry Widow), Lehár
Delaware Valley Opera CompanyBaron Mirko Zeta
Féach ar an bhfoireann agus an fhoireannCarmen, Bizet
Delaware Valley Opera CompanyLe Dancaïre (Dancaire)
Féach ar an bhfoireann agus an fhoireannL'elisir d'amore (The Elixir of Love), Donizetti
Delaware Valley Opera CompanyNemorino
Féach ar an bhfoireann agus an fhoireannFaust, Gounod
Delaware Valley Opera CompanyValentin (Valentine)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Goyescas by Enrique Granados and Abu Hassan by Carl Maria von Weber, GranadosVon Weber
Delaware Valley Opera CompanyAbu Hasan
Féach ar an gclár, an fhoireann agus an fhoireann
Les contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Delaware Valley Opera CompanySpalanzani + 1 ról
Féach ar an bhfoireann agus an fhoireann
Die lustige Witwe (The Merry Widow), Lehár
Delaware Valley Opera CompanyBaron Mirko Zeta
Féach ar an bhfoireann agus an fhoireann
Carmen, Bizet
Delaware Valley Opera CompanyLe Dancaïre (Dancaire)
Féach ar an bhfoireann agus an fhoireann
L'elisir d'amore (The Elixir of Love), Donizetti
Delaware Valley Opera CompanyNemorino
Féach ar an bhfoireann agus an fhoireannBeathaisnéis
David Price (Tenor) Born: Michigan, USA The American tenor, David Price, a Michigan native and resident of the Philadelphia area, has studied voice with Wayne Conner and Harold Evans. David Price has performed extensively as a soloist with such organizations as the Philadelphia Singers, Choral Arts Philadelphia, Music Group of Philadelphia, Ama Deus Ensemble, Opera Company of Philadelphia, Pennsylvania Opera Theater, Chautauqua Opera, Cincinnati Opera, Philadelphia Renaissance Wind Band, Vox the Renaissance Consort, Kennett Symphony and 1807 & Friends. His New York debut was made as the Male Chorus in Benjamin Britten's The Rape of Lucretia, and he sang Orfeo in Vox the Renaissance Consort's production of Monteverdi's L'Orfeo opposite Julianne Baird's Eurydice. His European debut was at t
