Diseñador(a) de vestuario/Figurinista

Emmanuelle Thomas

Artist

Approved

2021

2016

2015

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2025

En 1909, en sortant d’une représentation d’Œdipe roi à la Comédie‑Française, Georges Enesco s’empresse de transcrire les premières mesures de son futur et un...

[TRAILER] ŒDIPE by Georges Enesco

In 1909, leaving a performance of Oedipus as the King at the Comédie ‑ Française, Georges Enesco hastened to transcribe the first bars of his future and unique opera. Sophocles' piece has the effect of an electric shock on the Romanian composer who from then on, and even before having a libretto, works on his score, created in 1936 at the Paris Opera. The influence of Fauré, his master, Stravinsky, Debussy and ancient Romanian musical traditions nourish an orchestral and vocal writing of unparalleled originality. Despite a triumphant reception, the work was surprisingly rare on the stages during the 20th century. For his debut at the Paris Opera, Wajdi Mouawad tells us about the trajectory of Oedipus, this man who ignores himself, in a continuum of organic images, sometimes vegetal, sometimes aerial or aquatic.https://www.operadeparis.fr/saison-21...

DIRECTION Wajdi Mouawad MUSIC DIRECTOR Ingo Metzmacher WITH Christopher Maltman Clive Bayley Brian Mulligan Vincent Ordonneau Laurent Naouri Nicolas Cavallier Adrian Timpau Graham Clark Ekaterina Gubanova Clémentine Margaine Anna-Sophie Neher Anne-Sofie Von Otter Daniela Entcheva Orchestra and Choirs of the National Opera of Paris Maîtrise des Hauts-de-Seine / Children's choir of the Opéra national de Paris

[INTERVIEW] WAJDI MOUAWAD about ŒDIPE BY Georges Enesco

El rapto en el serrallo

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Emmanuelle Thomas

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