Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2020 — Ilbieraħ
Johanna auf dem Scheiterhaufen - Lichtspieloper, Honegger
Theater BielefeldCatherine
Ara l-cast u l-ekwipaġġGrosse Chorwerke, StüssiMozart
Zürcher KammerphilharmonieAlto + 1 rwoli
Ara programm, cast u ekwipaġġThe Queen Sonja Singing Competition 2023, Various
The Queen Sonja International Music CompetitionParticipant
Ara l-cast u l-ekwipaġġR. Wagner - Wesendonck-Lieder & R. Strauss - Four Last Songs, Wagner, RichardStrauss
Voice + 1 rwoli
Ara programm, cast u ekwipaġġDehru wirjiet tal-passat
Johanna auf dem Scheiterhaufen - Lichtspieloper, Honegger
Theater BielefeldCatherine
Ara l-cast u l-ekwipaġġ
Grosse Chorwerke, StüssiMozart
Zürcher KammerphilharmonieAlto + 1 rwoli
Ara programm, cast u ekwipaġġ
The Queen Sonja Singing Competition 2023, Various
The Queen Sonja International Music CompetitionParticipant
Ara l-cast u l-ekwipaġġ
R. Wagner - Wesendonck-Lieder & R. Strauss - Four Last Songs, Wagner, RichardStrauss
Voice + 1 rwoli
Ara programm, cast u ekwipaġġ
Prestazzjonijiet li ġejjin
8Siegfried, Wagner, Richard
Bühnen BernErda
Ara l-cast u l-ekwipaġġĦad17:00
Berne, SwitzerlandGötterdämmerung (The Twilight of the Gods), Wagner, Richard
Opernhaus ZürichErste Norn (First Norn)
Ara l-cast u l-ekwipaġġSiegfried, Wagner, Richard
Bühnen BernErda
Ara l-cast u l-ekwipaġġIl canto sospeso / Il prigioniero — BR-Chor · ORF-RSO 1 · Pascal, NonoDallapiccola
ORF Vienna Radio Symphony OrchestraAlto
Ara programm, cast u ekwipaġġ
Bijografija
Often praised for her rich and luscious timbre, South African born Freya Apffelstaedt belongs to a generation of promising young contraltos. After spending the summer of 2021 as a member of the prestigious Young Singers Project of the Salzburger Festspiele, she became a member of the International Opera Studio of the Opernhaus Zurich, where she is currently in her second year. Here, her roles include Grimgerde (Die Walküre), Sœur Mathilde (Dialogues des Carmélites) and Amastre (Serse). In addition to her operatic engagements, Ms Apffelstaedt is a sought-after soloist in concert repertoire. She has appeared as a soloist in works ranging from Monteverdi‘s Vespro della Beata Vergine and Bach’s Christmas Oratorio and Johannespassion to 20th Century works such as Duruflé‘s Requiem. Her broad r
