Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 1996 — Inné
Il barbiere di Siviglia (The Barber of Seville), Rossini
Staatstheater am GärtnerplatzDon Bartolo (Doctor Bartolo)
Féach ar an bhfoireann agus an fhoireannGräfin Mariza (Countess Maritza), Kálmán
Theater KoblenzPopulescu Dragomir Móric herceg (Prince Populescu)
Féach ar an bhfoireann agus an fhoireannPříhody lišky Bystroušky (The Cunning Little Vixen), Janáček
Mecklenburgisches Staatstheater SchwerinHarašta (Harasta)
Féach ar an bhfoireann agus an fhoireannLa Grande-Duchesse de Gérolstein (The Grand Duchess of Gerolstein), Offenbach
Staatstheater NürnbergLe général Boum (General Boum)
Féach ar an bhfoireann agus an fhoireannIl barbiere di Siviglia (The Barber of Seville), Rossini
Nationaltheater MannheimDon Bartolo (Doctor Bartolo)
Féach ar an bhfoireann agus an fhoireannIl barbiere di Siviglia (The Barber of Seville), Rossini
Staatstheater am GärtnerplatzDon Bartolo (Doctor Bartolo)
Féach ar an bhfoireann agus an fhoireannGräfin Mariza (Countess Maritza), Kálmán
Theater KoblenzPopulescu Dragomir Móric herceg (Prince Populescu)
Féach ar an bhfoireann agus an fhoireannLa Grande-Duchesse de Gérolstein (The Grand Duchess of Gerolstein), Offenbach
Staatstheater NürnbergLe général Boum (General Boum)
Féach ar an bhfoireann agus an fhoireannIl barbiere di Siviglia (The Barber of Seville), Rossini
Nationaltheater MannheimDon Bartolo (Doctor Bartolo)
Féach ar an bhfoireann agus an fhoireannDie lustige Witwe (The Merry Widow), Lehár
Staatstheater am GärtnerplatzBaron Mirko Zeta
Féach ar an bhfoireann agus an fhoireannThe German baritone Hans Gröning received his vocal training from Kammsängerin Gisela Schröter and works regularly with Gregory Lamar. He gave his debut as winner of the Rheinsberg Palace Chamber Opera International Singing Competition. His first regular engagement brought him to the Theatre of Eisenach. Since 2004, he has worked extensively as freelance singer in Germany and abroad. Hans Gröning has had formidable successes in contemporary opera. In 2006 he sang the title role of Wolfgang Rihm’s Jakob Lenz, a production of Muziektheater Transparant from Antwerp, at the Copenhague Opera, in Brussels, Rotterdam, Luxemburg and at the Bastille Opera in Paris. He has sung many roles at the Komische Oper Berlin, including Fafarello in The Love for three Oranges (Director: Andreas Homoki), the t