Léirithe san am a chuaigh thart 2009 — Inné
Don Pasquale, Donizetti
New National Theatre TokyoDottor Malatesta (Doctor Malatesta)
Féach ar an bhfoireann agus an fhoireannTokyo Philharmonic Orchestra Beethoven No. 9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Féach ar an gclár, an fhoireann agus an fhoireannRed Team & White Team Opera Singing “battle” Concert The 8th — The Battle Of Vocal Soul —, Various
Suntory HallBaritone
Féach ar an bhfoireann agus an fhoireann752nd Tokyo Subscription Concerts, Leoncavallo
Japan Philharmonic OrchestraTonio
Féach ar an bhfoireann agus an fhoireannAndrea Chénier (Andrea Chenier), Giordano
Mikawa OperaCarlo Gérard (Carlo Gerard)
Féach ar an bhfoireann agus an fhoireannBeethoven's No.9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Féach ar an gclár, an fhoireann agus an fhoireannDon Pasquale, Donizetti
New National Theatre TokyoDottor Malatesta (Doctor Malatesta)
Féach ar an bhfoireann agus an fhoireann752nd Tokyo Subscription Concerts, Leoncavallo
Japan Philharmonic OrchestraTonio
Féach ar an bhfoireann agus an fhoireannAndrea Chénier (Andrea Chenier), Giordano
Mikawa OperaCarlo Gérard (Carlo Gerard)
Féach ar an bhfoireann agus an fhoireannBeethoven's No.9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Féach ar an gclár, an fhoireann agus an fhoireannBeethoven's No.9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Féach ar an gclár, an fhoireann agus an fhoireannRigoletto 2015 a Tokyo
Hayato Kamie graduated from Tokyo National University of Fine Arts and Music with honors. In 2011, he made his Italian debut at the Teatro Giuseppe Verdi (Busseto) as Count di Luna in "Il Trovatore" at the Verdi Festival, and in 2015, he became the first Japanese baritone to be selected for the title role in "Rigoletto" at the same festival. In Japan, he has appeared as a primo baritone in Nabucco, Rigoletto, Don Carlo, Pagliacci, Il Trovatore, and Il Trittico at the Tokyo Nikikai Opera Theatre, La Traviata and Rigoletto at the Fujiwara Opera, The Barber of Seville at the Nissay Theatre, Aida at the New National Theatre, and Aida at the Sapporo Art Theatre, all to great acclaim. In particular, his performance of Rigoletto at the Tokyo Nikikai Opera in 2015 was praised by various critics as