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A venerable staging allows for a delightful evening of Rossini at Staatsoper Berlin

The Staatskapelle Berlin, keenly directed throughout by Ido Arad, did not put a foot wrong, evoking, somewhat to my surprise, a sound not so distant from that of Neville Marriner’s vintage Academy of St Martin in the Fields. Bright, precise, and likewise with pinpoint timing, here was another crucial dimension never to be reduced to anything else, yet likewise never approaching abstraction. The aesthetics, then, were as ‘right’ as the execution.

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19 febrero 2024seenandheard-international.comMark Berry

Reseñas de producciones pasadas

6
Il barbiere di Siviglia, Rossini
D: Ruth Berghaus
C: Ido Arad
A venerable staging allows for a delightful evening of Rossini at Staatsoper Berlin

The Staatskapelle Berlin, keenly directed throughout by Ido Arad, did not put a foot wrong, evoking, somewhat to my surprise, a sound not so distant from that of Neville Marriner’s vintage Academy of St Martin in the Fields. Bright, precise, and likewise with pinpoint timing, here was another crucial dimension never to be reduced to anything else, yet likewise never approaching abstraction. The aesthetics, then, were as ‘right’ as the execution.

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19 febrero 2024seenandheard-international.comMark Berry
Les Huguenots, Meyerbeer
D: David Alden
C: Michele MariottiIdo Arad
Opera Magazine

Derek Welton gave the murderous St Bris appropriately lugubrious tones.

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01 febrero 2017Carlos María Solare
Das Opernglas

Höchste Kompetenz und unermüdlicher Wohlklang [kam] auch von Derek Welton (Saint-Bris)

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01 diciembre 2016M Lehnert