Sound designer

Ilya Oleynik

Artist

Approved

2021

2018

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Clarinetist

Flautist

Percussionist

Guitarist

hornist

Oboist

Organist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Accordionist

Harpsichordist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Viola da Gambist

Cornettist

Baroque Trumpetist

Theorbist

Violino Piccolo Player

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Viola d’amore Player

Ondes Martenot Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video

Dramaturge

Translator

Répétiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Chorus

Orchestra

Vocal coach

Poet

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Mezzo-soprano

Singer

Bass-baritone

Baritone

Tenor

Soprano

Contralto

Countertenor

Bass

Spoken

Child vocalist

Silent

Alto

Each of Pushkin’s “Little Tragedies” explores one of human vices. Following Pushkin’s plot N. Rimsky-Korsakov displays the grievous one of them- Envy in his opera “Mozart and Salieri”. A craftsman is deeply envious of a genuine talent. Although there are no trustworthy evidences of Salieri being responsible for Mozart’s death, A.S. Pushkin stigmatized him as poisoner for good. What is more important: meticulous work or a stroke of genius; is a genius man capable of villainy – ageless questions that disturbed both the poet and the composer.

Mozart And Saleri

Mozart a Salieri

Ilya Oleynik

Výkonnostní kredity

Doporučená minulá představení

Doporučená videa

Doporučené fotografie

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