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5
La Traviata, Verdi
D: Marta Domingo
C: James Conlon
Review: L.A. Opera brings back its ‘20s take on ‘Traviata,’ and the singing shimmers

“The music poured out of him eloquently and ardently, his lyricism never tarnished with harsh excess at the louder dynamics. He’s a singer, not a belter. He showed himself an unselfish partner with Zaharia in the duets as well.”

Leigh Nios mo
03 Méitheamh 2019www.latimes.comTimothy Mangan
An Art Deco Traviata with all the Trimmings

Zaharia and Rame Lahaj as Alfredo made an attractive pair of lovers. With his movie star good looks and warmly colored tenor, Lahaj was convincing as the ardent suitor who cycles through turbulent emotions. His fevered portrayal culminated in a tender duet when he and Zaharia sang ‘Parigi, o cara, noi lasceremo’ in an emotionally wrenching final act.

Leigh Nios mo
03 Méitheamh 2019seenandheard-international.comJane Rosenberg
Il trovatore, Verdi
D: Francisco Negrín
C: James Conlon
Review: “Il Trovatore” Pulls Out All the Stops at L.A. Opera

“The role of Trovatore (Manrico) is brought to life by the gifted tenor Limmie Pulliam (Othello, Pagliacci). His tone was remarkably broad and powerful, conveying Manrico’s urgency and desperation. In his two most tender love songs, Pulliam expressed his torment of being torn between romantic passion and family duty flawlessly.”

Leigh Nios mo
24 Meán Fómhair 2021indulgemagazine.comVictor Riobo
LA Opera reopens with Il trovatore, and the music soars

“Musically, the night was a raging success. Debuting in the role of Manrico, Limmie Pulliam’s silky tenor was exquisite in the pianissimo passages and resonant in the character’s impassioned arias.“

Leigh Nios mo
20 Meán Fómhair 2021seenandheard-international.comJane Rosenberg