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3

TENOR JAMES KRYSHAK WAS THE IMAGE OF TRANSFIXED ARDOR IN THE SERENE ARIA, O BLONDE CERES FROM BERLIOZ’S LES TROYENS. ROOTED CENTER STAGE, HE SENT BERLIOZ’S GENTLY CURVING, LONG-LINED MELODIES TO THE FAR REACHES OF THE THEATER, HIS VOICE FULL OF WARMTH AND JOY.

Olvass tovább
05 április 2017Classical Review

A delight in the acting arena, James Kryshak as the crumbled Schoolmaster”

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05 április 2017Der Standard (Vienna)

Korábbi gyártási vélemények

8
The Nose, op. 15, Shostakovich
D: Herbert Fritsch
C: Clemens Heil
One is drawn into a sound experience by many surprising influences from various musical styles.

Herbert Fritsch , known for his colorful and extremely lively productions, makes all the actors appear like puppets in constant motion and demands everything from the singers. There is hardly a moment when there aren't exaggerated gestures and constant jumping, twitching and grimacing. Everything looks extremely abstract. This may have some entertainment value, but over time it just becomes too much.

Olvass tovább
30 november 2021opernmagazin.deMarco Stücklin
One is drawn into a sound experience by many surprising influences from various musical styles.

Herbert Fritsch , known for his colorful and extremely lively productions, makes all the actors appear like puppets in constant motion and demands everything from the singers. There is hardly a moment when there aren't exaggerated gestures and constant jumping, twitching and grimacing. Everything looks extremely abstract. This may have some entertainment value, but over time it just becomes too much.

Olvass tovább
30 november 2021opernmagazin.deMarco Stücklin
Les Huguenots, Meyerbeer
D: David Alden
C: Michele MariottiIdo Arad
Opera Magazine

Derek Welton gave the murderous St Bris appropriately lugubrious tones.

Olvass tovább
01 február 2017Carlos María Solare
Das Opernglas

Höchste Kompetenz und unermüdlicher Wohlklang [kam] auch von Derek Welton (Saint-Bris)

Olvass tovább
01 december 2016M Lehnert