Prestazzjonijiet Passat 2012 — Ilbieraħ
Kleider machen Leute (Clothes Make the Man), Von Zemlinsky
State OperaDer Amtsrat + 1 rwoli
Ara l-cast u l-ekwipaġġKleider machen Leute (Clothes Make the Man), Von Zemlinsky
State OperaDer Amtsrat
Ara l-cast u l-ekwipaġġ-
Kleider machen Leute (Clothes Make the Man), Von Zemlinsky
State OperaDer Amtsrat + 1 rwoli
Ara l-cast u l-ekwipaġġKleider machen Leute (Clothes Make the Man), Von Zemlinsky
State OperaDer Amtsrat
Ara l-cast u l-ekwipaġġ-
Tosca, Puccini
National Theatre PragueSciarrone
Ara l-cast u l-ekwipaġġĠim19:00
Prague, Czech RepublicSib19:00
Prague, Czech RepublicCarmen, Bizet
National Theatre PragueZuniga
Ara l-cast u l-ekwipaġġTli19:00
Prague, Czech RepublicTosca, Puccini
National Theatre PragueSciarrone
Ara l-cast u l-ekwipaġġĠim19:00
Prague, Czech RepublicĦad19:00
Prague, Czech RepublicCarmen, Bizet
National Theatre PragueZuniga
Ara l-cast u l-ekwipaġġĠim19:00
Prague, Czech RepublicTosca, Puccini
National Theatre PragueSciarrone
Ara l-cast u l-ekwipaġġĠim19:00
Prague, Czech RepublicErb19:00
Prague, Czech RepublicSib18:00
Prague, Czech RepublicTli19:00
Prague, Czech RepublicJaroslav Patočka, a native of the Czech Republic (Liberec), had a close relationship with music from an early age, when he attended the then Folk Art School (cello, piano) and was a member of the Severáček choir. He studied at the Pardubice Conservatory with professors Václav Zítek and Milan Stříteský. From the beginning of his singing career, he was led by the long-time soloist of the National Theater in Prague, Václav Zítek. He took part in many master classes, among others with the Italian opera tenor and pedagogue Antonio Carangelo. In 2006, he made his debut in the role of Banco (G. Verdi-Macbeth) at the F. X. Šalda Theater in Liberec. In the following years he performed here as Sparafucile (Rigoletto), King of Egypt (Aida), Alidoro (La Cenerentola), Kuno (Der Freischütz), Mícha (The