Non ho cor
Jay Marchand Knight
Soprano (+1)
Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2007 — Inné
A Night of 1000 Cleopatras, Händel
Opéra QueensGiulio Cesare (Julius Caesar)
Féach ar an bhfoireann agus an fhoireannThe Gondoliers, Sullivan
Lakeshore Light OperaDuchess of Plaza-Toro (Duchess of Plaza Toro)
Féach ar an bhfoireann agus an fhoireann~ TANYA'S SECRET ~, Tchaikovsky, P. I.
Opéra QueensFilippyevna
Féach ar an bhfoireann agus an fhoireannL’alma mia fra le tempeste, Händel
Agrippina
Féach ar an bhfoireann agus an fhoireannDido and Aeneas, Purcell
Belinda
Féach ar an bhfoireann agus an fhoireannDie lustige Witwe (The Merry Widow), Lehár
Hanna Glawari (Hannah Glawari)
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Canadian Zwischenfach, Jay Marchand Knight’s recent performances include Nurse Filipyevan in Eugene Onegin with Opera Queens, Denise in Jason Noble’s opera Denise, Don Jose in a genderbent Carmen with Opera Queens, and Sara in Parisa Sabet’s Vanishing Point, commissioned by Musique 3 Femmes. Jay also performs and composes with RISE Opera, an experimental project that explores human relationships to crises. Passionate about equity in opera and choir, Jay’s musical creations explore ways to make formal singing accessible to those who have been traditionally excluded from these spheres. Jay is Frederick Lowy Fellow at Concordia University, where they study vocal timbre and gender perception in the Deroche Laboratory for Hearing and Cognition. Jay teaches voice at The Voice Lab, Inc., a Chicag
