Joanna Harries
Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2016 — Inné
Letters from Scandinavia, Various
The Barber Institute of Fine ArtsMezzo-soprano
Féach ar an bhfoireann agus an fhoireannMezzo to Mezzo Performance Insight and Masterclass with Dame Sarah Connolly, HändelMozartStrauss
Medoro + 2 ról
Féach ar an gclár, an fhoireann agus an fhoireannRequiem, K. 626 (Requiem), Mozart
Centuries of Meditations, Tabakova, D.
Suite for String Orchestra, Croad
Cadogan HallAlt (Alto)
Féach ar an gclár, an fhoireann agus an fhoireannLéirithe san am atá caite
Letters from Scandinavia, Various
The Barber Institute of Fine ArtsMezzo-soprano
Féach ar an bhfoireann agus an fhoireann
Requiem, K. 626 (Requiem), Mozart
Centuries of Meditations, Tabakova, D.
Suite for String Orchestra, Croad
Cadogan HallAlt (Alto)
Féach ar an gclár, an fhoireann agus an fhoireann
Intro showreel
5
WALTON - I was a constant, faithful wife (Popova's aria from "The Bear")
Físeáin léirithe faoi thrácht
6
Beathaisnéis
Praised for her “stylish” singing (Opera Magazine) and the “emotional force” (The Times) of her performances, mezzo-soprano Joanna Harries enjoys a varied career in both opera and recital. In the 2022/23 season Joanna makes her debut with Opera Rara and the London Philharmonic Orchestra as Finocchini in Offenbach’s La Princesse de Trébizonde (recording and concert performance at the Southbank Centre’s Queen Elizabeth Hall), Contessa Ceprano Rigoletto for Opera Holland Park, Lucinda La forza dell’amor paterno for The Barber Opera, Deborah Robinson Crusoe for West Green House Opera and Medoro Orlando at Buxton International Festival with the Liberata Collective, led by Adrian Butterfield. Concerts include mezzo soloist for Paul Rissmann’s Through the Looking Glass suite with the London Symp
