Krediti ta' prestazzjoni
Prestazzjonijiet Passat 2016 — Ilbieraħ
Letters from Scandinavia, Various
The Barber Institute of Fine ArtsMezzo-soprano
Ara l-cast u l-ekwipaġġMezzo to Mezzo Performance Insight and Masterclass with Dame Sarah Connolly, HändelMozartStrauss
Medoro + 2 rwoli
Ara programm, cast u ekwipaġġRequiem, K. 626 (Requiem), Mozart
Centuries of Meditations, Tabakova, D.
Suite for String Orchestra, Croad
Cadogan HallAlt (Alto)
Ara programm, cast u ekwipaġġDehru wirjiet tal-passat
Letters from Scandinavia, Various
The Barber Institute of Fine ArtsMezzo-soprano
Ara l-cast u l-ekwipaġġ
Requiem, K. 626 (Requiem), Mozart
Centuries of Meditations, Tabakova, D.
Suite for String Orchestra, Croad
Cadogan HallAlt (Alto)
Ara programm, cast u ekwipaġġ
Intro showreel
5
WALTON - I was a constant, faithful wife (Popova's aria from "The Bear")
Vidjows tal-prestazzjoni dehru
6
Bijografija
Praised for her “stylish” singing (Opera Magazine) and the “emotional force” (The Times) of her performances, mezzo-soprano Joanna Harries enjoys a varied career in both opera and recital. In the 2022/23 season Joanna makes her debut with Opera Rara and the London Philharmonic Orchestra as Finocchini in Offenbach’s La Princesse de Trébizonde (recording and concert performance at the Southbank Centre’s Queen Elizabeth Hall), Contessa Ceprano Rigoletto for Opera Holland Park, Lucinda La forza dell’amor paterno for The Barber Opera, Deborah Robinson Crusoe for West Green House Opera and Medoro Orlando at Buxton International Festival with the Liberata Collective, led by Adrian Butterfield. Concerts include mezzo soloist for Paul Rissmann’s Through the Looking Glass suite with the London Symp
