Tenor

John Noh

Artist

Approved

2019

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Clarinetist

Flutist

Percussionist

Guitarist

hornist

Oboist

Organist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Accordionist

Harpsichordist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Viola da gamba player

Cornettist

Baroque Trumpetist

Theorbist

Violino Piccolo Player

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Viola d’amore Player

Ondes Martenot Player

Synthesist

Kompositör

Dirigent

Regissör

Librettist

Scenograf

Kostym designer

Koreograf

Ljus designer

Dansare

Skådespelare

Körledare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Vocal coach

Poet

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Baritone

Singer

Soprano

Mezzo-soprano

Countertenor

Bass-baritone

contralto

Bass

Spoken

Child vocalist

Silent

Alto

Michi Wiancko discusses her journey from violinist to composer and the process of writing her first opera, “Murasaki’s Moon,” based on the 11th-century Japanese novel “The Tale of Genji”
and written in collaboration with librettist Deborah Brevoort. 

“Murasaki's Moon” earned On Site Opera a 2018 Commissioning Grant for Female Composers. The grant was awarded through OPERA America’s Opera Grants for Female Composers program, which is funded by the Virginia B. Toulmin Foundation. Since its inception in 2013, the program has awarded nearly $1 million to support the development of operas by women.

To learn more about OPERA America's Granting programs, visit operaamerica.org/grants

Murasaki's Moon Wiancko

Murasaki's Moon

Buddhist Priest

John Noh

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