John Upperton
Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2000 — Inné
Jenůfa (Jenufa), Janáček
Midsummer OperaLaca Klemeň (Laca Klemen)
Féach ar an bhfoireann agus an fhoireannAriadne auf Naxos (Ariadne on Naxos), Strauss
Bacchus
Féach ar an bhfoireann agus an fhoireann-
The Boatswain's Mate, Smyth
Grimeborn Opera FestivalHarry Benn
Féach ar an bhfoireann agus an fhoireannDialogues des Carmélites (Dialogues of the Carmelites), Poulenc
Midsummer OperaStage director + 1 ról
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Jenůfa (Jenufa), Janáček
Midsummer OperaLaca Klemeň (Laca Klemen)
Féach ar an bhfoireann agus an fhoireann
The Boatswain's Mate, Smyth
Grimeborn Opera FestivalHarry Benn
Féach ar an bhfoireann agus an fhoireann
Un ballo in maschera (A Masked Ball), Verdi
Midsummer OperaRiccardo / Gustavo (Richard)
Féach ar an bhfoireann agus an fhoireannBeathaisnéis
JOHN UPPERTON DRAMATIC TENOR Vocal history: Now firmly established in the Heldentenor repertoire, John has retained the flexibility from the high lyric roles as well as the ease and resilience at the top of the voice. Musicianship: musical education includes: University of Liverpool BA (Hons) in Music Royal College of Music (postgraduate singing course) LGSM pianoforte teachers' diploma (external) Singing teacher: David Pollard Languages: English, French, Italian, German, Czech, Greek, Russian, Spanish Roles include: Royal Opera House - Dom Antonio (Dom Sébastien), Gherardo (Gianni Schicchi) English National Opera - Herodes, Walter (The Passenger), Mime, Gregor, Lazarus Midsummer Opera - Tito, Idomeneo, Florestan, Siegmund, Siegfried, Don
