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Vos critiques

3
Woman at Point Zero at the Royal Opera House

Ensemble Zar is conducted with almost fierce directness and economy by Kanako Abe, who creates a hypnotic fluidity of texture and tone.

Lire la suite
03 juillet 2023operatoday.comClaire Seymour
Emotional and beguiling: committed performances illuminated Bushra El-Turk's opera on female suffering

...the complexities of the score were navigated with virtuoso aplomb by conductor Kanako Abe...

Lire la suite
03 juillet 2023www.gramophone.co.ukOwen Mortimer

Critiques de productions passés

5
Woman At Point Zero, El-Turk
D: Laila Soliman
C: Kanako Abe
Woman at Point Zero at the Royal Opera House

Ensemble Zar is conducted with almost fierce directness and economy by Kanako Abe, who creates a hypnotic fluidity of texture and tone.

Lire la suite
03 juillet 2023operatoday.comClaire Seymour
Emotional and beguiling: committed performances illuminated Bushra El-Turk's opera on female suffering

...the complexities of the score were navigated with virtuoso aplomb by conductor Kanako Abe...

Lire la suite
03 juillet 2023www.gramophone.co.ukOwen Mortimer
Woman At Point Zero, El-Turk
D: Laila Soliman
C: Kanako Abe
Première mondiale
At This Summer’s Aix Festival, the Only Laughter Is Bitter

With two grim premieres among the offerings, Monteverdi’s sharp “L’Incoronazione di Poppea” was the highlight of a week of opera.

Lire la suite
12 juillet 2022www.nytimes.comZachary Woolfe
Woman At Point Zero, El-Turk
D: Laila Soliman
C: Kanako Abe
At This Summer’s Aix Festival, the Only Laughter Is Bitter

With two grim premieres among the offerings, Monteverdi’s sharp “L’Incoronazione di Poppea” was the highlight of a week of opera.

Lire la suite
12 juillet 2022www.nytimes.comZachary Woolfe