Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2009 — Inné
Le nozze di Figaro (The Marriage of Figaro), Mozart
Utah OperaLa Contessa di Almaviva (The Countess of Almaviva)
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Intermountain OperaLa Contessa di Almaviva (The Countess of Almaviva)
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
La Contessa di Almaviva (The Countess of Almaviva)
Féach ar an bhfoireann agus an fhoireannDer Freischütz, op. 77 (The Marksman), Von Weber
Heartbeat OperaAgathe
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Le nozze di Figaro (The Marriage of Figaro), Mozart
Utah OperaLa Contessa di Almaviva (The Countess of Almaviva)
Féach ar an bhfoireann agus an fhoireann
Le nozze di Figaro (The Marriage of Figaro), Mozart
Intermountain OperaLa Contessa di Almaviva (The Countess of Almaviva)
Féach ar an bhfoireann agus an fhoireann
Der Freischütz, op. 77 (The Marksman), Von Weber
Heartbeat OperaAgathe
Féach ar an bhfoireann agus an fhoireann
Léirithe le Teacht
2La Bohème, Puccini
Intermountain OperaMimì (Mimi)
Féach ar an bhfoireann agus an fhoireannAcis and Galatea, Händel
OrpheusPDXAcis
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Katherine Whyte has performed on opera and concert stages across her native Canada, the United States and Europe. Opera Today has hailed her for her “keen artistic sensibility” while the San Francisco Classical Voice has praised her “her glamorous, vibrato-rich voice”. Last season included her debut with the Dallas Opera as Pousette in Manon, a return to the Metropolitan Opera Company for their production of Rigoletto, the Countess in Le nozze di Figaro with Opera Saratoga, and concerts with the Kaohsiung Symphony Orchestra and the Orchestra of China’s National Opera at the Meet in Beijing Arts Festival. The 2016-2017 season included her return to the Metropolitan Opera for productions of Jenufa and Rigoletto, a debut with the Edmonton Symphony for Handel’s Messiah, Fauré’s Requiemwith Man
