Operabase Home
Mezzosoprano
Compartir

Revisiones de perfil

5
Piramo e Tisbe

The three artists singing on March 24 each gave indelible performances that should count among the finest and most complete interpretations heard in New York this season. Kristin Gornstein’s portrayal of Piramo was masterful. She sang the difficult role with a truly flawless lyric mezzo, finding opportunities to show both the character’s humor and heartbreak in a melismatic turn or with a glance.

Leer más
24 marzo 2018www.operanews.comSteven Jude Tietjen
The Rape of Lucretia

Kristin Gornstein, as Lucretia, had darkness in her tone that matched the character’s anguish, and she projected a Tilda Swinton-like regality in her pleated orange dress and thick gold jewelry.

Leer más
04 diciembre 2015www.operanews.comHenry Stewart

Reseñas de producciones pasadas

3
Piramo e Tisbe, Hasse
D: Philip Shneidman
C: Elliot Figg
Piramo e Tisbe

The three artists singing on March 24 each gave indelible performances that should count among the finest and most complete interpretations heard in New York this season. Kristin Gornstein’s portrayal of Piramo was masterful. She sang the difficult role with a truly flawless lyric mezzo, finding opportunities to show both the character’s humor and heartbreak in a melismatic turn or with a glance.

Leer más
24 marzo 2018www.operanews.comSteven Jude Tietjen
La finta giardiniera, Mozart
D: Eric Einhorn
C: Geoffrey McDonald
On Site Opera Review 2016-17 – The Secret Gardener: Co-Commission With Atlanta Opera Results In Fascinating Communal Storytelling By David Salazar

On Site Opera assembled a terrific cast for the proceedings. Ashley Kerr starred as Violet, growing more and more comfortable vocally as the night proceeded. She was particularly wonderful during the close of the opera during her clinching love scene with Belfiore. Standing only a few feet away from where I was seated, she sang of her growing feelings with a gloriously polished legato and vibrato, her voice floating rather easily throughout the space, wiping out any distractions around. Her characterization of the heroine, while playful also played up her elegance. Even though she was a gardener, her gait suggested her class, particularly when compared to the body language of other characters.

Leer más
12 mayo 2017operawire.comDavid Salazar
Back to the Garden

The wildly creative stage director Eric Einhorn has so many tricks up his sleeve that we never know what he will come up with next. Except we do know and we will tell you a bit at the end of this review. The entire premise of On Site Opera is to match the production to an appropriate setting. Regular readers will know exactly what we refer to but others can enter "On Site Opera" into the search bar to fill in their knowledge, lest we repeat ourselves.

Leer más
12 mayo 2017www.vocedimeche.reviewsMeche Kroop