Micaëla (Carmen) „Je dis que rien ne m'épovante“
Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2012 — Inné
Der Traumgörge (The Dream Gorge), Von Zemlinsky
Oper FrankfurtGrete
Féach ar an bhfoireann agus an fhoireannDon Carlo (Italian version), Verdi
Oper FrankfurtElisabetta di Valois (Elisabeth of Valois)
Féach ar an bhfoireann agus an fhoireannDer Freischütz, op. 77 (The Marksman), Von Weber
Theater ChemnitzAgathe
Féach ar an bhfoireann agus an fhoireannSchneewittchen (Snow White), Lange
Oper LeipzigSchneewittchen
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Der Traumgörge (The Dream Gorge), Von Zemlinsky
Oper FrankfurtGrete
Féach ar an bhfoireann agus an fhoireannDon Carlo (Italian version), Verdi
Oper FrankfurtElisabetta di Valois (Elisabeth of Valois)
Féach ar an bhfoireann agus an fhoireann
Der Freischütz, op. 77 (The Marksman), Von Weber
Theater ChemnitzAgathe
Féach ar an bhfoireann agus an fhoireann
Schneewittchen (Snow White), Lange
Oper LeipzigSchneewittchen
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
21Elektra (Electra), Strauss
Oper FrankfurtChrysothemis
Féach ar an bhfoireann agus an fhoireannDer Prinz von Homburg (The Prince of Homburg), Henze
Oper FrankfurtPrinzessin Natalie von Oranien (Princess Natalie of Orange)
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Magdalena Hinterdobler has been a member of the Frankfurt Opera ensemble since the 2023/24 season, where she made her highly acclaimed debut as Eva (Die Meistersinger von Nürnberg) and was celebrated as Elisabetta (Don Carlo). In the current season, she can still be seen there as Chrysothemis (Elektra). Previously, the soprano was a member of the Leipzig Opera ensemble, where she performed alongside the Gewandhaus Orchestra in roles such as Rusalka, Mimì (La Bohème), Marie (The Bartered Bride), Micaëla (Carmen) and in various Wagner roles, including Ortlinde, Dritte Norn and Gutrune (Der Ring des Nibelungen). Her interpretation of Anna in the world premiere of Gerd Kühr's “Paradiese” also received special attention, for which the Süddeutsche Zeitung celebrated her as an "erotic eleme
