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Critiques de productions passés

4
Die Zauberflöte, Mozart
D: Suzanne AndradeBarrie Kosky
C: Hendrik VestmannJordan de Souza
Where opera ends, theatre begins: Mozart's Magic Flute made new in surreal Perth performance

The performers, led by Polish soprano Iwona Sobotka playing Pamina and supported by the WA Opera and WA Symphony Orchestra, were not deterred by the extravagant production, but revelled in it.

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22 février 2019www.smh.com.auNathan Hondros
Barrie Kosky’s The Magic Flute is a contemporary spectacle, despite the opera’s outdated attitudes

Pamina, sung beautifully by Soprano Iwona Sobotka on opening night. She played the heroine-in-need-of-rescue to perfection, but despite the sexism spouted by some characters, Pamina showed courage, determination and integrity. That said, she does fall into despair when she believes she is no longer loved by Tamino, and Sobotka sings Pamina’s aria with great feeling as she contemplates suicide.

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22 février 2019theconversation.comVivienne Glance
Orphée aux enfers, Offenbach
D: Barrie Kosky
C: Adrien Perruchon
Barrie Koskys „Orpheus in der Unterwelt“: Götter mit Aufmerksamkeitsdefizit

Wunderbar Peter Bording als Jupiter, ein Bürger im Anzug, der seine Priviliegien davonschwimmen sieht; dass er Eurydike als Fliege becircen will, ist von grausam-komischer Konsequenz. Dazu passt sein verzweifelt blasierter Gesang.

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08 décembre 2021www.berliner-zeitung.dePeter Ueling
Orphée aux enfers (Orpheus in the Underworld)

“Fire of Disrespect” (Émile Zola). "Max Hopp as John Styx, who speaks dubbing, is an excellent cast - just as wonderfully strange as the production itself."

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