Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2013 — Inné
European Masterworks, Various
Soprano
Féach ar an bhfoireann agus an fhoireannGala Evening of Donizetti Favorites, Donizetti
The Opera Buffs Inc.La Marquise de Berkenfield (The Marquise of Berkenfield)
Féach ar an gclár, an fhoireann agus an fhoireannDas Liebesverbot (The Ban on Love), Wagner, Richard
Cambridge Chamber EnsembleDorella
Féach ar an bhfoireann agus an fhoireannCosima Holiday Champagne Brunch, Various
Soprano
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
European Masterworks, Various
Soprano
Féach ar an bhfoireann agus an fhoireann
Gala Evening of Donizetti Favorites, Donizetti
The Opera Buffs Inc.La Marquise de Berkenfield (The Marquise of Berkenfield)
Féach ar an gclár, an fhoireann agus an fhoireann
Das Liebesverbot (The Ban on Love), Wagner, Richard
Cambridge Chamber EnsembleDorella
Féach ar an bhfoireann agus an fhoireann
Cosima Holiday Champagne Brunch, Various
Soprano
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Heralded by the San Francisco Chronicle for her “knockout combination of vocal power and expressive eloquence”, soprano Marina Harris is quickly establishing herself as a talent to watch. An alumna of the prestigious Adler Fellowship program at the San Francisco Opera, Ms. Harris’ appearances with the company included four world premiere operas; Nolan Gasser’s The Secret Garden (in the role of Susan Sowerby), Mark Adamo’s The Gosepel of Mary Magdalene (Tamar/Girl/Seeker), Tobias Picker’s Dolores Claiborne (Maid), Jack Perla’s Love/Hate (Samantha), and covering numerous leading roles, most notably the role of Elsa in Lohengrin. In September 2013, she garnered national attention as a last-minute replacement for Patricia Racette in the role of Elena (Helen of Troy) in San Francisco Opera’s se
