Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2009 — Inné
Die lustige Witwe (The Merry Widow), Lehár
Opera Nationala Romana TimisoaraStage director
Féach ar an bhfoireann agus an fhoireannTurandot, Puccini
Opera Nationala Romana TimisoaraSet designer + 1 ról
Féach ar an bhfoireann agus an fhoireannAdriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 ról
Féach ar an bhfoireann agus an fhoireannTurandot, Puccini
Opera Nationala Romana TimisoaraCostume designer + 1 ról
Féach ar an bhfoireann agus an fhoireannDon Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannIl trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannTurandot, Puccini
Opera Nationala Romana TimisoaraSet designer + 1 ról
Féach ar an bhfoireann agus an fhoireannAdriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 ról
Féach ar an bhfoireann agus an fhoireannTurandot, Puccini
Opera Nationala Romana TimisoaraCostume designer + 1 ról
Féach ar an bhfoireann agus an fhoireannDon Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannIl trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannDon Carlo (Italian version), Verdi
Bucharest National OperaStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannTosca, Puccini
Bucharest National OperaStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannDe Carlo chose to study at a Liceo Classico (secondary school), specialising in Greek and Latin studies and from an early age also studied pianoforte. During Liceo, he directed, set designed and designed the costumes for student productions of Sophocles’ Electra and Mozart’s The Magic Flute. To begin his University career, De Carlo moved to Rome, where he studied Italian Language and Literature, History of the Theatre and Music with Fedele D’Amico at ‘La Sapienza’ University.Subsequently, De Carlo transferred to Milan where he gained valuable and varied experience working in the studios of such well known set-builders and costume makers as Sormani and Brancato. As a set and costume designer assistant for the opera, De Carlo worked with such illustrious houses as The Fenice, Venice (Donizet