Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2009 — Ilbieraħ
Die lustige Witwe (The Merry Widow), Lehár
Opera Nationala Romana TimisoaraStage director
Ara l-cast u l-ekwipaġġAdriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 rwoli
Ara l-cast u l-ekwipaġġDon Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 rwoli
Ara l-cast u l-ekwipaġġIl trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 rwoli
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Adriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 rwoli
Ara l-cast u l-ekwipaġġ
Don Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 rwoli
Ara l-cast u l-ekwipaġġ
Il trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 rwoli
Ara l-cast u l-ekwipaġġPrestazzjonijiet li ġejjin
12Don Carlo (Italian version), Verdi
Bucharest National OperaStage director + 3 rwoli
Ara l-cast u l-ekwipaġġTosca, Puccini
Bucharest National OperaStage director + 3 rwoli
Ara l-cast u l-ekwipaġġ
Bijografija
De Carlo chose to study at a Liceo Classico (secondary school), specialising in Greek and Latin studies and from an early age also studied pianoforte. During Liceo, he directed, set designed and designed the costumes for student productions of Sophocles’ Electra and Mozart’s The Magic Flute. To begin his University career, De Carlo moved to Rome, where he studied Italian Language and Literature, History of the Theatre and Music with Fedele D’Amico at ‘La Sapienza’ University.Subsequently, De Carlo transferred to Milan where he gained valuable and varied experience working in the studios of such well known set-builders and costume makers as Sormani and Brancato. As a set and costume designer assistant for the opera, De Carlo worked with such illustrious houses as The Fenice, Venice (Donizet
