Sea Air from Previn's A Streetcar Named Desire
Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2016 — Inné
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Féach ar an gclár, an fhoireann agus an fhoireannErwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Féach ar an gclár, an fhoireann agus an fhoireannThe Nightingale/Erwartung, StravinskySchoenberg, Arnold
West Edge FestivalEine Frau (Sopran)
Féach ar an gclár, an fhoireann agus an fhoireannMaddalena, StravinskyProkofiev
Berkeley Chamber OperaMaddalena
Féach ar an gclár, an fhoireann agus an fhoireannLéirithe san am atá caite
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Féach ar an gclár, an fhoireann agus an fhoireann
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Féach ar an gclár, an fhoireann agus an fhoireann
The Nightingale/Erwartung, StravinskySchoenberg, Arnold
West Edge FestivalEine Frau (Sopran)
Féach ar an gclár, an fhoireann agus an fhoireann
Maddalena, StravinskyProkofiev
Berkeley Chamber OperaMaddalena
Féach ar an gclár, an fhoireann agus an fhoireann
Hänsel und Gretel (Hansel and Gretel), Humperdinck
San Francisco OperaGertrud (Gertrude)
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
3The Legend of the Ring, Wagner, Richard
West Edge OperaFreia/Sieglinde
Féach ar an bhfoireann agus an fhoireannBeathaisnéis
A 2023 Sullivan Foundation Career Grant recipient, Soprano Mary Evelyn Hangley is a graduate of San Francisco Opera’s prestigious Adler Fellowship, where she covered numerous leading roles, including the title role of Rusalka, Contessa Almaviva in Le nozze di Figaro, as well as Micaëla in Carmen. She made her San Francisco Opera debut as the Mother in Hansel and Gretel, which she was praised for "...[showing] confidence and vocal security in her unexpected San Francisco Opera debut, which proceeded flawlessly.” In 2023, Mary Evelyn saw a triumphant debut as A Woman in Schoenberg’s masterpiece Erwartung with West Edge Opera, for which The San Francisco Chronicle praised her “incendiary brilliance” and “[her] singing, moreover — bright, luxuriant and fearlessly on point — was a marvel.” Ca
