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3
Letter

Mr. Boley brought a solemn beauty to the role, singing all phases of his delight in Butterfly from his first encounter with her to his soul-wrenching cries at the end of the opera.

Leigh Nios mo
02 Feabhra 2018www.postandcourier.comArlena Withers
MISSISSIPPI OPERA DELIVERS WITH TURANDOT

He brought down the house with his rendition of “Nessun Dorma” in the third act.

Leigh Nios mo
11 Bealtaine 2018www.northsidesun.comRichard Wilson

Léirmheasanna Táirgeadh san am atá caite

7
Turandot, Puccini
D: Octavio Cardenas
MISSISSIPPI OPERA DELIVERS WITH TURANDOT

He brought down the house with his rendition of “Nessun Dorma” in the third act.

Leigh Nios mo
11 Bealtaine 2018www.northsidesun.comRichard Wilson
Pikovaya Dama, Tchaikovsky, P. I.
C: José Luis Moscovich
West Bay Opera Scales a Formidable Musical Mountain

When José Luis Moscovich came onstage at Palo Alto’s Lucie Stern Theatre on Friday, May 20, the applause and cheers for West Bay Opera’s general director went on so long he had to sheepishly and repeatedly signal for silence. The audience celebration was well deserved. Friday’s performance of Tchaikovsky’s Pique Dame (or, The Queen of Spades) was a reunion, the company’s first staging before a live audience since the pandemic began.

Leigh Nios mo
23 Bealtaine 2022www.sfcv.orgSteven Winn
Pique Dame

Woodwinds and strings sing in gentle, back-and-forth conversation before other instruments begin to join, building into rolling climaxes of commanding brass and timpani and all leading to a sense of foreboding as projected on the walls before us are splashed, red blotches mingled in a flurried mix of numbers and symbols. Eventually queens appear from their deck of cards to dance about the stage in projected frenzy as the music once again shifts in nature. Black shadows and smoky clouds finally escort the Queen of Spades to rule in her projected state with the orchestra’s outstanding overture leaving us with a final sense of foreboding and unease.

Leigh Nios mo
21 Bealtaine 2022theatreeddys.comEddie Reynolds
Mavra, Stravinsky
D: Eliza O'Malley
C: Jonathan Khuner
Berkeley Chamber Opera’s twin bill

Eliza O’Malley, Berkeley Chamber Opera’s founding Artistic Director, wrote that in the present Covid pandemic, she searched for two one-act operas she could present in a program that wouldn’t require an audience be confined in a small theatre space over more than two hours. As a further caution, she asked patrons to wear N95 face masks that were handed out at the door of Berkeley’s Hillside Club on the nights of performance. Thus, two one-act Russian operas, Maddalena by Sergei Prokofiev, and Mavra by Igor Stravinsky, were given three performances over the weekend of June 17-19

Leigh Nios mo
28 Méitheamh 2022www.berkeleydailyplanet.comJames Roy MacBean