Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 1988 — Inné
"the carmen -fixation bizet", Bizet
West Edge OperaEscamillo
Féach ar an bhfoireann agus an fhoireann„Vom Himmel hoch, da komm ich her“ – RSB-Weihnachtskonzert, Various
Rundfunk-Sinfonieorchester BerlinCountertenor
Féach ar an bhfoireann agus an fhoireannLa petite messe solennelle, Rossini
Nico and the NavigatorsMezzosoprano (Mezzo-soprano)
Féach ar an bhfoireann agus an fhoireann-
Il ritorno d'Ulisse in patria (The Return of Ulysses to His Homeland), Monteverdi
Opera AtelierAnfinomo (Amphinomus)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
"the carmen -fixation bizet", Bizet
West Edge OperaEscamillo
Féach ar an bhfoireann agus an fhoireann
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Choeur classique de Montréal | La Passion selon St Matthieu de Jean-Sébastien Bach, Bach, J. S.
Choeur classique de Montréalcountertenor
Féach ar an bhfoireann agus an fhoireann
Físeáin léirithe faoi thrácht
2
Beathaisnéis
Acclaimed by critics for his “great virtuosity” and “vocal radiance”, the young Canadian countertenor Michael Taylor began singing as a treble with St. Michael’s Choir in Toronto, where he also studied the violin and piano at the Royal Conservatory of Music. After graduating with a degree in Physics and Neuroscience from McGill University, he took up further vocal studies in Germany. After winning prizes at several international voice competitions, Michael went on to appear on opera and concert stages worldwide, including his Lincoln Center debut in New York as a soloist in Handel’s “Messiah” with the Grammy-Nominated Trinity Choir and Bach’s St. Matthew Passion with the Telemann Institute in Osaka. Highlights of his wide-ranging operatic repertoire include Oberon in Britten’s “A Midsummer
