Director(a) orquestal

Mikael Eliasen

Artist

Approved

2015

2006

1998

1997

Individual contributor id

include virtual contributors

Pianista

Instrumentalist

Violinist

Cellist

Violist

Flautista

Clarinetist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabajo

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Compositor(a)

Director(a) de escena

Libretista

Escenógrafo(a)

Diseñador(a) de vestuario/Figurinista

Coreógrafo(a)

Diseñador(a) de iluminación

Bailarín(a)

Actor/actriz

Director(a) coral

Diseñador(a) de video

Dramaturgia

Traductor(a)

Diseñador(a) de sonido

Maestro repetidor

Maquillaje

Producción Ejecutiva

Peinado

Otro

Stage Manager

Coro

Orquesta

Poet

Entrenador(a) vocal

Profesor(a)

Photographer

Radiodifusión

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Barítono

Singer

Tenor

Bajobarítono

Mezzosoprano

Contratenor

Contralto

Bajo

Soprano

Hablado

Vocalista infantil

Silencio

Alto

operaphila.org - In this short video, stage director Chas Rader-Shieber discusses his Curtis Opera Theatre production, and how Strauss’s beautiful opera-within-an-opera explores the collision of high art (a composer staging his new opera) with low art (a troupe of commedia actors led by Ashley Milanese as Zerbinetta).

Chas’s production takes place in the private art gallery of the richest man in Vienna, where Ariadne, abandoned on a deserted island by her lover Theseus, is joined by a certain familiar group of castaways.

Mikael Eliasen

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