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Mike Inwood

Artist

Approved

2019

2017

2016

2015

2014

Individual contributor id

include virtual contributors

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Dyrygent

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Śpiewak

Tenor

Mezzosopran

Kontratenor

Sopran

Baryton

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

operaphila.org - In this short video, stage director Chas Rader-Shieber discusses his Curtis Opera Theatre production, and how Strauss’s beautiful opera-within-an-opera explores the collision of high art (a composer staging his new opera) with low art (a troupe of commedia actors led by Ashley Milanese as Zerbinetta).

Chas’s production takes place in the private art gallery of the richest man in Vienna, where Ariadne, abandoned on a deserted island by her lover Theseus, is joined by a certain familiar group of castaways.

Mike Inwood

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