Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 1994 — Inné
Dido and Aeneas, Purcell
Sorceress
Féach ar an bhfoireann agus an fhoireannIl medico dei pazzi (The Madman's Doctor), Battistelli
Teatro La FeniceMadame Amalia
Féach ar an bhfoireann agus an fhoireannIl giardino d'amore (The Garden of Love), Scarlatti, Alessandro
Musikfestspiele Potsdam SanssouciVenere
Féach ar an bhfoireann agus an fhoireannAccademia Bizantina, Vivaldi
Elbphilharmonie & Laeiszhalle HamburgSoloists
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Il medico dei pazzi (The Madman's Doctor), Battistelli
Teatro La FeniceMadame Amalia
Féach ar an bhfoireann agus an fhoireann
L'olimpiade (The Olympiad), Pergolesi
Festival Pergolesi SpontiniAlcandro
Féach ar an bhfoireann agus an fhoireann
L'olimpiade (The Olympiad), Pergolesi
Teatro SpontiniAlcandro
Féach ar an bhfoireann agus an fhoireann
La virtù de' strali d'Amore (The Power of Cupid's Arrows), Caletti-Bruni
Teatro La FeniceA nymph + 1 ról
Féach ar an bhfoireann agus an fhoireannFíseáin léirithe faoi thrácht
5
Beathaisnéis
Born in Pescara, Italy, Milena Storti completed her musical education at the local Conservatory, earning a Diploma in “Canto Lirico” under the guidance of Nicoletta Panni. Subsequently, she furthered her artistic development attending numerous courses and master classes, including those with: Maria Vittoria Romano (Vocalism in Eighteen Century Theater); Erik Werba (the German Lieder); Claudio Desderi (Mozart-Da Ponte Project and Monteverdi Project); In 1996, she won the «Inner Wheel Best Lyric Voice» prize awarded by the Scuola di Musica in Fiesole. She made her opera debut in 1992, in Rossini’s La Cenerentola, at the Teatro Verdi in Pisa, where she was invited to return on multiple occasions in 1996 for Orfeo ed Euridice, Il Ritorno di Ulisse in Patria and Il Signor Bruschino. Among her m
