Mitsuko Uchida / Reviżjonijiet

In the opening “An die Hoffnung,” the up-close acoustic of Reinberger Chamber Hall allowed for every nuance to shine through, with Padmore’s precise diction imbuing each stanza with a different feeling. And even without words of her own, Uchida remained fully engrossed in the emotions and phrasing of the music, often mouthing along with the German lyrics in the expressive “Resignation” and the stirring “Abendlied unterm gestirnten Himmel.”