Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2012 — Inné
St. John Passion, BWV 245 (St John Passion), Bach, J. S.
Opéra Royal de VersaillesTenor
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
Staatsoper StuttgartErster Geharnischter (First armored man)
Féach ar an bhfoireann agus an fhoireannSt. John Passion, BWV 245 (St John Passion), Bach, J. S.
Les Arts FlorissantsDiener (Servant)
Féach ar an bhfoireann agus an fhoireannThe Rape of Lucretia, Britten
Fondazione PetruzzelliMale Chorus (Male chorus)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
St. John Passion, BWV 245 (St John Passion), Bach, J. S.
Opéra Royal de VersaillesTenor
Féach ar an bhfoireann agus an fhoireann
Die Zauberflöte (The Magic Flute), Mozart
Staatsoper StuttgartErster Geharnischter (First armored man)
Féach ar an bhfoireann agus an fhoireann
St. John Passion, BWV 245 (St John Passion), Bach, J. S.
Les Arts FlorissantsDiener (Servant)
Féach ar an bhfoireann agus an fhoireannThe Rape of Lucretia, Britten
Fondazione PetruzzelliMale Chorus (Male chorus)
Féach ar an bhfoireann agus an fhoireann
Léirithe le Teacht
15Das Rheingold (The Rhinegold), Wagner, Richard
Stuttgart OperaLoge
Féach ar an bhfoireann agus an fhoireannHotel Savoy, Abraham
Stuttgart OperaSoloist
Féach ar an bhfoireann agus an fhoireannSat19:30
Stuttgart, GermanyDom18:00
Stuttgart, GermanyLua19:30
Stuttgart, GermanyMái19:30
Stuttgart, GermanyCéa19:30
Stuttgart, GermanyMái19:30
Stuttgart, Germany
Beathaisnéis
Moritz Kallenberg received his vocal training at the Freiburg University of Music with Reginaldo Pinheiro and at the Conservatorio L.Cherubini in Florence. Master classes with Brigitte Fassbaender, Margaret Honig and Ulrike Härter round off his musical education. As a multiple prizewinner, among others at the National Singing Competition 2016, the Carl-Seemann Prize and as a scholarship holder of the Helene Rosenberg Foundation, he was already during his studies as a soloist at the Easter Festival of the Berlin Philharmonic in Baden-Baden in R. Strauss "Der Rosenkavalier" Sir Simon Rattle and made his role debut as Don Ottavio in WA Mozart's “Don Giovann i” at the Franz Liszt Academy Budapest. Debuts at the Stadttheater Freiburg and at the Dresden State Operetta followed. After two years i
