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Ibragimova, LSO, Stutzmann, Barbican review – grace and gravity

When the pilgrim’s hymn returned, however, Stutzmann injected a jolting spring and bounce into the LSO’s measured tread that left you suspecting that this pilgrim was en route to a happy ending. Her crescendo worked its proper magic, too.

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10 január 2020theartsdesk.comBoyd Tonkin