Basse

Neil Gillespie

Artist

Approved

2017

2015

2011

2009

2006

2005

1999

1997

Individual contributor id

include virtual contributors

Pianiste

Instrumentalist

Violoniste

Violoncelliste

Altiste

Clarinettiste

Flûtiste

Corniste

Contrebassiste

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Organiste

Bassoonist

Trompettiste

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Accordionist

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Flûtes à bec

Timpani

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Choeur

Bandoneon Player

Harmoniste

Joueur de mandoline

Theorbist

Flûtiste baroque

Vibraphonist

Ondes Martenot Player

Cornettist

Tenor Violinist

Tabla Player

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Baroque Oboist

Premier violon

Contrabassist

Pipa Player

Sitar Player

Baroque Trumpetist

Archluténiste

Violino Piccolo Player

Chalumeau Player

Guitariste basse électrique

Bayan Player

Pan Flute Player

Guzheng Player

Euphonium Player

Bass Clarinetist

Musette de cour Player

Viola Pomposa Player

Mridangam Player

Bagpipe Player

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Cuatro Player

Kamancha Player

Lyre Player

Violoncelliste baroque

Basso continuo

Sheng Player

Viola d’amore Player

Hurdy-gurdy Player

Dulcian Player

Carillonneur

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Birbynė Player

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Bağlama Player

Citole Player

Haegeum Player

Kantele Player

Kora Player

Morin Khuur Player

Qanun Player

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Sarangi Player

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Accompagnateur

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Video

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Maître de ballet

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Properties and Scenic Design Director

Stage & Production Manager

Extra

Chef d'orchestre de scène

Artistic Planning & Administration

Soprano

Singer

Contre-ténor

Baryton

Contralto

Mezzo-soprano

Baryton-basse

Ténor

Voix d'enfant

Parlé

Rôle muet

Alto

Le poète

Soprano Corinne Winters reveals how she approaches performing one of all opera's most iconic characters, Violetta from La traviata - a character whose influe...

La traviata: How to perform an operatic icon

Saimir Pirgu, Venera Gimadieva and The Royal Opera Chorus sing La traviata's famous drinking song. Find out more at www.roh.org.uk/traviata

‘A toast to the pleasures of life!’ – so sings Violetta, her new admirer Alfredo and her party guests in the opening scene of Giuseppe Verdi’s La traviata. But beneath the surface glamour of Violetta’s Parisian life run darker undercurrents: her doomed love for Alfredo and the tensions the lovers encounter when they break society’s conventions. La traviata, based on Alexandre Dumas fils’s play La Dame aux camélias, is one of Verdi’s most popular operas, combining drama, profound emotion and wonderful melodies.

Richard Eyre’s classic production conveys the indulgent social whirl of 19th-century Paris. It provides a vivid setting for Verdi’s tuneful score, which includes such favourites as Violetta’s introspective ‘Ah fors’è lui’ and ecstatic ‘Sempre libera’; the duet ‘Pura siccome un angelo’ as Giorgio Germont begs Violetta to leave Alfredo; and ‘Parigi, o cara’, in which the lovers poignantly imagine a life that will never be theirs. The role of Violetta (the ‘fallen woman’ of the title) is one of Verdi’s most complex and enduring characters.

Neil Gillespie

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