Léirithe san am a chuaigh thart 2003 — Inné
Médée (Medea), Cherubini
Sofia Opera & BalletCreonte (King Creon)
Féach ar an bhfoireann agus an fhoireannAttila, Verdi
Tirana National Theatre of Opera and BalletAttila
Féach ar an bhfoireann agus an fhoireannAndrea Chénier (Andrea Chenier), Giordano
Teatro Lirico di CagliariRoucher
Féach ar an bhfoireann agus an fhoireannStabat Mater, op.58 (Stabat Mater), Dvořák
Opera BergenBasso (Bass)
Féach ar an bhfoireann agus an fhoireannMédée (Medea), Cherubini
Sofia Opera & BalletCreonte (King Creon)
Féach ar an bhfoireann agus an fhoireannAttila, Verdi
Tirana National Theatre of Opera and BalletAttila
Féach ar an bhfoireann agus an fhoireannAndrea Chénier (Andrea Chenier), Giordano
Teatro Lirico di CagliariRoucher
Féach ar an bhfoireann agus an fhoireannStabat Mater, op.58 (Stabat Mater), Dvořák
Opera BergenBasso (Bass)
Féach ar an bhfoireann agus an fhoireannPetar Naydenov began his musical training at the age of 5 playing the violin. He then studied voice at the National Academy of Music in Sofia and improved under the guidance of the famous artists Ghena Dimitrova, Nicola Ghiuselev and Roberto Scandiuzzi. The Bulgarian bass gave his operatic debuts in 2004 as Don Giovanni at the Sofia National Opera followed by Figaro in Le nozze di Figaro. From 2006 till 2012 guest appearances took him to the Theater St. Gallen in the roles of Ruy Gomes da Silva in Ernani and Il Commendatore in Don Giovanni, to the Cairo Opera as Ramfis in Aida, to the Grand Théâtre de Tours as Fiesco in Simon Boccanegra, to the National Opera in Helsinki as Don Basilio in Il Barbiere di Siviglia, to the Landestheater Linz as Gremin in Eugen Onegin and Don Basilio, to