Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2017 — Ilbieraħ
Monteverdi Choir / English Baroque Soloists / Peter Whelan, Händel
Elbphilharmonie & Laeiszhalle HamburgConductor
Ara l-cast u l-ekwipaġġAnn Murray Lifetime Achievement Award Gala Concert, HändelMozartVarious
National Concert HallConductor
Ara programm, cast u ekwipaġġBach Cantatas with Hugh Cutting, Bach, J. S.
Dunedin Consort and PlayersConductor
Ara programm, cast u ekwipaġġHugh Cutting sings Bach with the Dunedin Consort, Bach, J. S.
Dunedin Consort and PlayersConductor
Ara programm, cast u ekwipaġġDehru wirjiet tal-passat
Monteverdi Choir / English Baroque Soloists / Peter Whelan, Händel
Elbphilharmonie & Laeiszhalle HamburgConductor
Ara l-cast u l-ekwipaġġ
Ann Murray Lifetime Achievement Award Gala Concert, HändelMozartVarious
National Concert HallConductor
Ara programm, cast u ekwipaġġ
Bach Cantatas with Hugh Cutting, Bach, J. S.
Dunedin Consort and PlayersConductor
Ara programm, cast u ekwipaġġPrestazzjonijiet li ġejjin
24L'olimpiade (The Olympiad), Vivaldi
Irish National OperaConductor
Ara l-cast u l-ekwipaġġTli19:30
Letterkenny, IrelandĦam20:00
Navan, IrelandSib19:30
Dun Laoghaire, IrelandĦad19:30
Dun Laoghaire, IrelandTli19:30
Dun Laoghaire, IrelandTne19:15
London, United KingdomErb19:15
London, United KingdomĠim19:15
London, United KingdomĦad14:00
London, United KingdomTne19:15
London, United Kingdom
Bijografija
Peter Whelan is among the most exciting and versatile exponents of historical performance of his generation, with a remarkable career as a conductor, keyboardist and solo bassoonist. He is Artistic Director of the Irish Baroque Orchestra and founding Artistic Director of Ensemble Marsyas. Recent engagements have included appearances with the Stavanger Symphony Orchestra, Academy of Ancient Music, Portland Baroque Orchestra, Scottish Chamber Orchestra, the English Concert, Irish Chamber Orchestra, Netherlands Chamber Orchestra and Beethoven Orchester Bonn. As conductor, Peter has a particular passion for exploring and championing neglected music from the Baroque era. Recent projects funded by The Arts Council (Ireland) and Creative Scotland involved recreating and staging live performances
