Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2006 — Ilbieraħ
Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Greek National OperaCostume designer
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Greek National OperaCostume designer
Ara l-cast u l-ekwipaġġ
Prestazzjonijiet li ġejjin
43Don Carlo, Verdi
Latvian National Opera and BalletCostume designer
Ara l-cast u l-ekwipaġġSiegfried, Wagner, Richard
La Monnaie/De MuntCostume designer
Ara l-cast u l-ekwipaġġErb17:00
Brussels, BelgiumĦad15:00
Brussels, BelgiumErb17:00
Brussels, BelgiumĦad15:00
Brussels, BelgiumErb17:00
Brussels, BelgiumIl combattimento di Tancredi e Clorinda (The Combat of Tancredi and Clorinda), Monteverdi
MusikTheater an der WienCostume designer
Ara l-cast u l-ekwipaġġĠim19:00
Vienna, AustriaSiegfried, Wagner, Richard
La Monnaie/De MuntCostume designer
Ara l-cast u l-ekwipaġġSib17:00
Brussels, BelgiumIl combattimento di Tancredi e Clorinda (The Combat of Tancredi and Clorinda), Monteverdi
MusikTheater an der WienCostume designer
Ara l-cast u l-ekwipaġġĦad19:00
Vienna, AustriaTli19:00
Vienna, Austria
Bijografija
Real art in costume design comes with the designer’s intent to transport narration within the garments. Any single costume in a play or on screen, traditional or avant-garde, tells a story, talks about the development and the fate of a narrated character. Petra Reinhardt has always been successful in this regard; hand in hand with the director and all the others of the team, she makes everyone she dresses talk – talk to the other roles, talk to the spectator- creating an ensemble of art enhanced by the costumes.
