Name: 2. Sinfoniekonzert
Start: 2023-10-08T00:00:00.000Z
End: 2023-10-09T00:00:00.000Z
Location: Staatstheater

Organization

Direzione d'orchestra

Hendrik Vestmann

Strumento

Cellist

Alban Gerhardt

Cello

Oldenburgisches Staatstheater

Orchestra

Oldenburgisches Staatsorchester

2. Sinfoniekonzert

Oldenburg

Germania

Staatstheater

Großes Haus

Public

Prélude Solennel

Concerto per violoncello e orchestra in si minore, op. 104

Sinfonia in re minore, FWV 48

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Cantante

Contralto

Basso

Tenore

Baritono

Basso-baritono

Controtenore

Mezzosoprano

Alto

Continuo

Mimi

Narrazione

Voce bianca

With his 'Prélude Solennel', Eduard Tubin created a musical commitment to his home country from Estonian melodies before fleeing the Russian invasion in 1944 to Sweden.

In the “New World”, wistfully thinking about his native Bohemia, Antonín Dvořák wrote one of the most popular cello concertos of all time in the winter of 1894/95. Alban Gerhardt plays the solo part in Oldenburg, whom The Guardian praised as "one of the most subtle cellists far and wide": "expressive, without gimmickry and noble."

In the 1880s, the Parisian Société Nationale de Musique fought for an upscale French style of music in contrast to growing "decadence". In this sense, Société member César Franck wrote his only symphony shortly before the end of his life, in which he clearly shows with a central quotation from Beethoven that “national” does not have to mean “nationalistic” by any means.

English

Aus estnischen Melodien schuf Eduard Tubin mit seinem ‚Prélude Solennel‘ ein identitätsstiftendes musikalisches Bekenntnis zu seinem Heimatland, bevor er 1944 vor der russischen Invasion nach Schweden floh.

In der „Neuen Welt“ wehmutsvoll an das heimatliche Böhmen denkend, schrieb Antonín Dvořák im Winter 1894 / 95 eines der beliebtesten Cellokonzerte aller Zeiten. In Oldenburg spielt den Solopart Alban Gerhardt, den ‚The Guardian‘ als „einen der weit und breit feinsinnigsten Cellisten“ rühmte: „ausdrucksstark, ohne Effekthascherei und edel.“

In den 1880er-Jahren kämpfte die Pariser Société nationale de Musique um einen gehobenen französischen Musikstil in Abgrenzung zu wachsender „Décadence“. In diesem Sinne schrieb auch Société-Mitglied César Franck kurz vor Lebensende seine einzige Sinfonie, in der er mit einem zentralen Beethovenzitat deutlich zeigt, dass „national“ noch lange nicht „nationalistisch“ bedeuten muss.

Deutsch

2. Sinfoniekonzert by Tubin, Dvořák, Franck, Da (2023/2023), Direttore d'orchestra Hendrik Vestmann, Staatstheater, Oldenburg, Germania

Crediti di rappresentazione (Cast e team di produzione )

Ensemble

Programma, informazioni e sinossi

Ulteriori letture

Date e sedi delle rappresentazioni

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