Organization

Conductor

Patrick Hahn

Singer

Baritone

Bo Skovhus

Orchestra

Sinfonieorchester Wuppertal

Historische Stadthalle

8. Sinfoniekonzert: lebensreise

Wuppertal

Germany

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Contralto

Tenor

Countertenor

Bass-baritone

Bass

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

8. Sinfoniekonzert: lebensreise: Concert Various

Jean-Féry Rebel has to be remembered for a moment, as the French-Baroque all-rounder is all too seldom heard. The pupil of Lully was first a violinist, later also a conductor and royal chamber composer. ›Les Éléments‹ begins with a future-oriented description of the year 1737 with a cluster-like description of »chaos«, marking the origin of the world.
Ligeti's ›Atmosphères‹ goes one step further and finds a musical language to describe the current state of the world. In doing so, the composer dissolves the traditional structural and motivic-thematic work, whereby the music seems to float shapelessly in space.

With ›I turned and saw everything wrong‹, Zimmermann completed his monumental last work just five days before his suicide in 1970. This ›Ecclesiastical Action‹ with texts from the Bible and Dostoyevsky, which is all too rarely found in the program, is an expression of his despair about the eternal suffering of people and, after the creation (Rebel) and the existence of the world (Ligeti), contains an impressive one Culminating in the depiction of their destruction (Zimmermann).

English

Jean-Féry Rebel muss man sich kurz ins Gedächtnis rufen, hört man das französisch-barocke Multitalent doch viel zu selten. Der Schüler Lullys war zunächst Geiger, später auch Dirigent und königlicher Kammerkomponist. ›Les Éléments‹ beginnt für das Jahr 1737 zukunftsweisend mit einer clusterhaften Beschreibung des »Chaos«, es markiert die Entstehung der Welt.
Ligetis ›Atmosphères‹ geht einen Schritt weiter und findet eine Klangsprache zur Umschreibung des Ist-Zustands der Welt. Dabei löst der Komponist das tradierte strukturelle und motivisch-thematische Arbeiten auf, wodurch die Musik scheinbar formlos im Raum schwebt.

Mit ›Ich wandte mich und sah an alles Unrecht‹ vollendete Zimmermann nur fünf Tage vor seinem Freitod 1970 sein monumentales letztes Werk. Diese allzu selten im Spielplan anzutreffende ›Ekklesiastische Aktion‹ mit Texten aus der Bibel und von Dostojewski ist Ausdruck seiner Verzweiflung über das ewige Leiden der Menschen und birgt nach dem Ent-stehen (Rebel) und dem Be-stehen der Welt (Ligeti) eine beeindruckende Kulmination in der Darstellung ihrer Zerstörung (Zimmermann).

Deutsch

8. Sinfoniekonzert: lebensreise by Various, Fra (2023/2023), Dirigent Patrick Hahn

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Ensemble

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted