Name: A comedy double bill
Start: 2015-11-19T00:00:00.000Z
End: 2015-11-21T00:00:00.000Z
Location: New College

Organization

Stage director

Michael Burden

Conductor

James Orrell

Repetiteur

Chloe Rooke

Singer

Baritone

Thomas Lowen

Riccardo

Soprano

Johanna Harrison

Lucy England

Patrick Alexander Keefe

Ben Upthegrove

New Chamber Opera

A comedy double bill

Oxford

United Kingdom

New College

La zingaretta Leo

Public

The Gypsy Girl

The Telephone

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass

Bass-baritone

Tenor

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

New Chamber Opera patrons who are intending to come to the comedy double bill, should note that the performances of Menotti’s The Telephone has been cancelled owing to cast illness. We will be re-scheduling the piece in a later programme.

We will still be performing Leonardo Leo’s La Zingaretta; this is, however, only a half-evening’s worth. Our apologies for this program alteration.


Leonardo Leo was a Neapolitan, a product of training under Francesco Provenzale and Nicola Fago; his first opera was Lâ€™infedelta abbattuta premiered in 1712. He travelled little, and held posts at the Royal Chapel and the Naples Conservatory. His intermezzi included those for the opera lâ€™Argene, a setting of Lâ€™impresario delle Isole Canarie , and La Zingaretta of 1731. Here, we enter the exotic world of the 18th-century gypsy. The music of the intermezzo includes a complicated aria for each character with a number of time and key changes.

The plot revolves around successive disguises and confusions. The zingaretta (the gypsy girl) has been pretending to be â€˜Lisettaâ€™. Before the opera opens, she has borrowed money from Riccardo; it is implied in the text that this has been in exchange for sexual favours. She then teases Riccardo by pretending to be the gypsy she in fact is. When he sees through the â€˜gypsy disguiseâ€™ to â€˜Lisettaâ€™, he then declares his love. But he then discovers that â€˜Lisettaâ€™ was in fact a gypsy â€“ for real! Like most men in intermezzi, Riccardo is not very bright; but he does love â€˜Lisettaâ€™, and as the gypsy leaves for Egypt (and the sun), he is devastated by his loss.

In the programme, this small gem is paired with a modern comedy, The Telephone (or Lâ€™Amour Ã  trois) by Gianocarlo Menotti. The work was written in 1947 as a curtain-raiser to his longer work The Medium, and tells the tale of Ben, who is in love with Lucy, and who is desperate to propose marriage to her; if only she wouldnâ€™t spend all the time on the phone! In the end, he resolves the dilemma by ringing her up and making his proposal over the airwaves.

English

A comedy double bill by Leo, Leonardo, Menotti, No (2015/2015), Režisēja Michael Burden,, Diriģents James Orrell, New College, Oxford, United Kingdom

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