Name: A Meeting Of Two Masters
Start: 2015-10-10T00:00:00.000Z
End: 2016-05-11T00:00:00.000Z
Location: Schlosskirche

Admin

ArsNova

Ann-Christin Wesser-Ingels

Soprano

Elenor Wiman

Alto

Jakob Skjoldborg

Tenor

Thomas Kiørbye

Bass

Conductor

Paul Hillier

Orchestra

Ars Nova

Singer

Amélie Renglet

Else Torp

Rebecca  Forsberg Svendsen

Amanda Flodin

Paul Bentley-Angell

Luís Toscano

Asger Lynge Petersen

Jakob Soelberg

A Meeting Of Two Masters

Friedrichshafen

Germany

Schlosskirche

Bergen

Norway

Johanneskirken

Hillerød

Denmark

Hillerød Kirke

Roskilde

Himmelev Kirke

Public

Private

Concert

Oratorio / Orchestral

Alleluia Tropus

Missa Mi-mi

The Woman With The Alabaster Box

I am the True Vine

Tribute To Caesar

Larissa Andrea Pereira

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Contralto

Bass-baritone

Mezzo-soprano

Child vocalist

Continuo

Silent

Spoken

Ockeghem, the fifteenth-century Franco-Flemish guru of spiritual counterpoint, and Arvo Pärt, the Estonian magus of mystic minimalism. Although they generally use very different methods to create their sound-worlds, yet they usually seem to arrive at the same place. Ockeghem's Missa Mi-Mi is named for its opening melodic motif, but beyond that, Ockeghem always seems to do the unexpected, and no-one has yet really explained how or why this music achieves such inevitable beauty. Pärt's music is almost easy to explain, at one level, but no-one has yet really explained why, by doing the expected, he always creates the unexpected. Our program interweaves motets by Pärt among the movements of Ockeghem's great Mass.

English

A Meeting Of Two Masters by Pärt, Ockeghem, No (2015/2016), Diriģents Paul Hillier, Schlosskirche, Friedrichshafen, Germany

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