Name: Adam Fischer conducts Haydn and Bartok
Start: 2019-12-13T00:00:00.000Z
End: 2019-12-15T00:00:00.000Z
Location: Konzerthalle

Organization

Conductor

Adam Fischer

Singer

Baritone

Miklós Sebestyén

Mezzo-soprano

Ruxandra Donose

Bamberg Symphony Orchestra

Adam Fischer conducts Haydn and Bartok

Bamberg

Germany

Konzerthalle

Adam Fischer conducts Haydn and Bartok: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Tenor

Soprano

Bass

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

No audience ever forgets Haydn’s Symphony no. 45! An anecdote throws light on the programme behind this “farewell” symphony: when Haydn wrote this work in 1772, his employer Count Esterházy was so enamoured of his summer residence in the country that he spent longer and longer there each year. His musicians had to stay there, too – and after a long season, they were eager to finally return home. They asked Haydn for help, and the latter’s mischievous nature promptly inspired him to write an original symphony in which the usual grand finale breaks off and is replaced by a slow Adagio, during which the musicians leave the stage one by one. At the premiere, the count was at first disconcerted, but recognised what the symphony was trying to tell him. He is supposed to have said: “Very well, if they are all leaving, we should too.”

In our concert, the musicians and our conductor Adam Fischer will return to the stage, of course, accompanied by the two soloists Miklós Sebestyén and Ruxandra Donose, to perform Bartók’s only opera “Bluebeard’s Castle”. Written in 1911, its fiery music is full of elements taken from Hungarian folk melodies. Conjuring up splendid musical visions, the opera evokes a legendary tale: Duke Bluebeard takes Judith to his dark castle, which she is supposed to fill with joy and sunshine. She is permitted to open the seven locked doors – but with each key, she gets closer to his dark and lonely soul. Behind the last door is the room of the women Bluebeard loved before Judith – and she, too, is then locked inside. Bluebeard remains in darkness, unrecognised, shutting his dreams and memories of love away inside himself.

English

Adam Fischer conducts Haydn and Bartok by Various, No (2019/2019), Diriģents Adam Fischer, Konzerthalle, Bamberg, Germany

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