Organization

Dirigent

Christopher Franklin

Regie

Regie (+4)

Arnaud Bernard

Bühnenbild

Bühnenbild (+1)

Virgile Koering

Kostümbild

Kostümbild (+1)

Carla Ricotti

Choreographie

Choreographie (+2)

Gianni Santucci

Lichtgestaltung

Lichtgestaltung (+1)

Patrick Méeüs

Tenor

Luciano Ganci

Moritz

Bariton (+2)

Mario Cassi

Michonnet

Mezzosopran (+2)

Anna Maria Chiuri

Die Fürstin von Bouillon

Bass (+3)

Mattia Denti

Der Fürst von Bouillon

Tenor (+3)

Pierre Derhet

Der Abbé von Chazeuil

Luca Dall'Amico

Quinault

Tenor (+1)

Alexander Marev

Poisson

Sopran (+1)

Hanne Roos

Fräulein Jouvenot

Lotte Verstaen

Fräulein Dangeville

Bariton (+3)

Benoît Delvaux

Der Haushofmeister

Opéra Royal de Wallonie - Liège

Chorus

Choeur de l'Opéra Royal de Wallonie-Liège

Orchestra

Royal Opera of Wallonia Orchestra

Elena Mosuc

Adriana Lecouvreur

Sopran

Carolina López Moreno

If the circumstances of the death, in 1730, of the famous actress Adrienne Lecouvreur remain mysterious, those of her burial are well known. The parish priest of Saint-Sulpice refused him any ceremony as well as access to the cemetery. She was buried almost clandestinely in quicklime, in a vacant lot on the banks of the Seine, to the great indignation of Voltaire.
(Source: The French Comedy)

Paris, 1730, the famous tragedian Adriana Lecouvreur and the Princess of Bouillon love the same man, Maurice de Saxe, marshal of the French army. After many adventures and crossovers, they discover their rivalry. On her birthday, Adriana dies in the arms of Maurice, who has just reaffirmed his love for her, poisoned by the fatal scent of the bouquet of violets sent by her rival.

Adriana Lecouvreur is the only work by Francesco Cilea, a composer close to verismo, to have remained in the repertoire of the major opera houses. The story of this famous 18th century actresscentury, controversial, tragedian with a sulphurous destiny and admired by Voltaire, is literally part of the history of France. Based on real events, Adrienne's life was fictionalized by Eugène Scribe and brought to the theater in 1849, with the great Sarah Bernhardt in the title role. The subject soon showed his full operatic potential. Arturo Colautti, librettist of Cilea, wanted to bring it to the lyrical stage. The work, centered on amorous rivalry, the spirit of revenge and love, is overwhelming. A sumptuous orchestra, arias of great beauty, virtuosity at the service of emotions, everything contributed to making this score a triumph when it was premiered in Milan in 1902, especially since a certain Enrico Caruso excelled in the very difficult role of Maurice of Saxony (Maurizio). The success since then has never wavered.

Adriana Lecouvreur, Cilea

Besetzung

Maurizio

Michonnet

La principessa di Bouillon

Il principe di Bouillon

L'abate di Chazeuil

Quinault

Poisson

Madamigella Jouvenot

Madamigella Dangeville

Un maggiordomo

Adriana Lecouvreur

Produktionsteam

Regie

Dirigent

Bühnenbild

Kostümbild

Lichtgestaltung

Choreographie

Instrumentierung

Produzent

Produzent

Ensemble

Orchester

Chor

Co-Produzent

Fotos

Über

Komposition

Libretto

Beschreibung

Produktionssynopsis