Organization

Dirigat

Jaroslav Kyzlink

Sänger

Tenor

Michal Lehotský

Radamès

Ondrej Šaling

Sopran

Adriana Banásová

Eine Oberpriesterin

Bass

Peter Mikuláš

Ramfis

Andrea Danková

Aida

Ján Galla

Der König von Ägypten

Matteo Beltrami

Regie

Pavol Smolík

Chordirektion

Zuzana Kadlčíková

Bühnenbild

Marek Hollý

Kostümbild

Ludmila Várossová

Choreographie

Jaroslav Moravčík

Dramaturgie

Martin Bendik

Gustáv Beláček

Mezzosopran

Monika Fabianová

Amneris

Mária Porubčinová

Boldizsár László

Jozef Benci

Bariton

Aleš Jenis

Amonasro

Katarína Flórová

Juraj Kuchár

Business

Slovak National Theatre

Italienisch

Bratislava

Slowakei

Slovak National Theatre New Building

Aida Verdi

Public

Deutsch

Slowakisch

Genehmigt

Dies irae in opera The Easter holidays and Good Friday itself are among the most important for Christians around the world. This event seems to have grown with our lives, and so almost without distinction most of us think about our actions and our lives. Not only literary, visual and film artists, but also important personalities of the opera and music world in general also considered the spirituality of their artistic and personal life. Thus many worldly works were born, but with a deep spiritual message, which we call more humane today. Such works include the operas Don Carlos and The Force of Fate by G. Verdi, as well as his other works such as Otello, Troubadour, Aida, and Berlioz's Requiem, Wagner's Tristan and Isolde. Mutual tension and the struggle between good and evil resonate in both operatic gems on this topic - in Boit's Mephistopheles and Gounod's Faust (and Margaret), content-related works. Dies irae - the day of anger will be, through these musical gems, also a day of overcoming sadness and looking to the future. The solo parts will be performed by top soloists of the SND Opera, who will be accompanied by the orchestra and choir of our first opera stage under the baton of the prominent conductor Ondrej Lenárd. Soloists: Jolana Fogašová Ján Galla Co-performers orchestra and choir of the SND Opera Choirmaster: Pavol Procházka Concertmaster: Vladimír Harvan Conductor: Ondrej Lenárd © Slovak National Theater 2011 Dies irae - the day of anger will be, through these musical gems, also a day of overcoming sadness and looking to the future. The solo parts will be performed by top soloists of the SND Opera, who will be accompanied by the orchestra and choir of our first opera stage under the baton of the prominent conductor Ondrej Lenárd. Soloists: Jolana Fogašová Ján Galla Co-performers orchestra and choir of the SND Opera Choirmaster: Pavol Procházka Concertmaster: Vladimír Harvan Conductor: Ondrej Lenárd © Slovak National Theater 2011 Dies irae - the day of anger will be, through these musical gems, also a day of overcoming sadness and looking to the future. The solo parts will be performed by top soloists of the SND Opera, who will be accompanied by the orchestra and choir of our first opera stage under the baton of the prominent conductor Ondrej Lenárd. Soloists: Jolana Fogašová Ján Galla Co-performers orchestra and choir of the SND Opera Choirmaster: Pavol Procházka Concertmaster: Vladimír Harvan Conductor: Ondrej Lenárd © Slovak National Theater 2011

The unusual opera of the aging master Verdi is one of the most popular works of world opera literature. It was created to order, which came from exotic Cairo and was to be introduced as part of the ceremony at the opening of the Suez Canal. Although it did not go according to plan and the work was heard a little later, the ceremonial character remained unchanged. Aida's music meets the spectacular luster of state and military ceremonies with tense moments of emotional conflicts between the central protagonists and the outward splendor of mass scenes with choirs and ballet numbers with intimately tuned passages of lyrical personal confessions. Aida is not only an engaging romantic story with captivating music, but also a narrative monumental fresco that attracts unchanging eyes like ears.

English

Aida by Verdi, Ab (2022/2022), Unter der Regie von Pavol Smolík,, Dirigat Jaroslav Kyzlink, Matteo Beltrami, Slovak National Theatre New Building, Bratislava, Slowakei

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