Name: Aida
Start: 2022-10-21T00:00:00.000Z
End: 2022-11-14T00:00:00.000Z
Location: Teatro Real

Organization

The Abu Dhabi Festival

Conductor

Nicola Luisotti

Diego García Rodríguez

Daniel Oren

Choreographer

Leda Lojodice

Chorus master

Andrés Máspero

Singer

Mezzo-soprano

Jamie Barton

Amneris

Sonia Ganassi

Ketevan Kemoklidze

Soprano

Krassimira Stoyanova

Aida

Maria Agresta

Roberta Mantegna

Anna Netrebko

Tenor

Piotr Beczała

Radames

Yusif Eyvazov

Jorge de León

Bass

Alexander Vinogradov

Ramfis

Jongmin Park

Simón Orfila

Lighting designer

Vinicio Cheli

Baritone

Carlos Álvarez

Amonasro

Artur Rucinski

Gevorg Hakobyan

Jaquelina Livieri

A high priestess

Fabián Lara

A messenger

Stage director

Hugo De Ana

Set designer

Deyan Vatchkov

The King of Egypt

Costume designer

Marta Bauzà

Video designer

Sergio Metalli

Vittoria Yeo

Yonghoon Lee

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Iodáilis

Madrid

Spain

Teatro Real

Sala Principal

Aida Verdi

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

El Teatro Real recupera una de las producciones más monumentales y emblemáticas de su pasado reciente, #AidaTR, de Giuseppe Verdi, estrenada en 1998 con dire...

One of the greatest ironies of grand opera – the total spectacle of early Romanticism – is that its legacy has come down to us mainly through foreign surrogates such as Aida, whose Cairo premiere in 1871 was surrounded by all the paraphernalia reserved for the great geopolitical conclaves. Far from giving in to the vulgar trickery characteristic of this genre, this masterpiece and turning point in Verdi's production turned the massive scenes into an integral part of the drama –and not a mere spectacle– and infused its creatures with a fire that reaches solar temperatures in their last act, before melting into a loving embrace of resignation and oblivion.

Any production that claims to live up to this work must overcome no less thorny challenges: that the drama shines above the show and that the passions give off their fiery brilliance without burning in the morbid flames of the feuilleton. Almost a quarter of a century after its premiere in 1998, these are precisely the keys that explain the validity of this historic production by Hugo de Ana in an updated revival to demonstrate once again –forgive the redundancy– its perennial relevance.

English

Una de las mayores ironías de la grand opéra francesa –el espectáculo total del primer Romanticismo– es que su legado haya llegado a nosotros principalmente a través de sucedáneos foráneos como Aida, cuyo estreno en El Cairo en 1871 estuvo rodeado de toda la parafernalia reservada a los grandes cónclaves geopolíticos. Lejos de claudicar a la vulgar tramoya característica de este género, esta obra maestra y punto de inflexión de la producción verdiana convirtió las escenas masivas en parte integrante del drama –y no mero espectáculo– e infundió a sus criaturas un fuego que alcanza temperaturas solares en su último acto, antes de fundirse en un amoroso abrazo de resignación y olvido.

Cualquier producción que pretenda estar a la altura de esta obra debe sortear retos no menos espinosos: que el drama brille por en-cima del espectáculo y que las pasiones des-pidan sus ígneos fulgores sin abrasarse en las morbosas llamas del folletín. Casi un cuarto de siglo después de su estreno en 1998, son precisamente estas las claves que explican la vigencia de esta histórica producción de Hugo de Ana en una reposición actualizada para demostrar una vez más –valga la redundancia– su perenne actualidad.

español

Aida by Verdi, Mái 08 Samh 2022, Ó (2022/2022), Faoi stiúir Hugo De Ana,, Seoltóir Nicola Luisotti, Diego García Rodríguez, Daniel Oren, Teatro Real, Madrid, Spain

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Comhléiritheoir

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid