Organization

The Abu Dhabi Festival

Choreographie

Leda Lojodice

Chordirektion

Andrés Máspero

Lichtgestaltung

Vinicio Cheli

Tenor (+1)

Fabián Lara

Ein Bote

Regie

Regie (+4)

Hugo De Ana

Bühnenbild

Bass (+4)

Deyan Vatchkov

Der König von Ägypten

Kostümbild

Video

Video (+2)

Sergio Metalli

Teatro Real de Madrid

Chorus

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Teatro Real

Dirigent

Dirigent (+2)

Nicola Luisotti

Sopran (+1)

Jaquelina Livieri

Eine Oberpriesterin

Mezzosopran (+5)

Sonia Ganassi

Amneris

Mezzosopran (+2)

Ketevan Kemoklidze

Sopran (+3)

Krassimira Stoyanova

Aida

Daniel Oren

Jamie Barton

Tenor (+4)

Piotr Beczała

Radamès

Tenor (+3)

Yusif Eyvazov

Bass (+3)

Alexander Vinogradov

Ramfis

Bass (+2)

Jongmin Park

Bass-Bariton (+7)

Carlos Álvarez

Amonasro

Bariton (+2)

Artur Rucinski

Sopran

Roberta Mantegna

Tenor

Jorge de León

Bass-Bariton (+3)

Simón Orfila

Gevorg Hakobyan

Sopran (+5)

Anna Netrebko

Marta Bauzà

Maria Agresta

Dirigent (+1)

Diego García Rodríguez

Vittoria Yeo

Yonghoon Lee

One of the greatest ironies of grand opera – the total spectacle of early Romanticism – is that its legacy has come down to us mainly through foreign surrogates such as Aida, whose Cairo premiere in 1871 was surrounded by all the paraphernalia reserved for the great geopolitical conclaves. Far from giving in to the vulgar trickery characteristic of this genre, this masterpiece and turning point in Verdi's production turned the massive scenes into an integral part of the drama –and not a mere spectacle– and infused its creatures with a fire that reaches solar temperatures in their last act, before melting into a loving embrace of resignation and oblivion.

Any production that claims to live up to this work must overcome no less thorny challenges: that the drama shines above the show and that the passions give off their fiery brilliance without burning in the morbid flames of the feuilleton. Almost a quarter of a century after its premiere in 1998, these are precisely the keys that explain the validity of this historic production by Hugo de Ana in an updated revival to demonstrate once again –forgive the redundancy– its perennial relevance.

Italienisch

Madrid

Spanien

Sala Principal

Aida Verdi

Staged

Oper

El Teatro Real recupera una de las producciones más monumentales y emblemáticas de su pasado reciente, #AidaTR, de Giuseppe Verdi, estrenada en 1998 con dire...

Genehmigt

Aida, Verdi

Besetzung

Un messaggero

Il Re d'Egitto

Una sacerdotessa

Amneris

Aida

Radamès

Ramfis

Amonasro

Produktionsteam

Regie

Dirigent

Bühnenbild

Kostümbild

Chordirektion

Lichtgestaltung

Choreographie

Video

Instrumentierung

Produzent

Produzent

Ensemble

Orchester

Chor

Co-Produzent

Co-Produzent

Empfohlene Videos

Fotos

Über

Komposition

Libretto

Beschreibung

Produktionssynopsis