Organization

The Abu Dhabi Festival

Coreografia

Leda Lojodice

Direzione del coro

Andrés Máspero

Luci

Vinicio Cheli

Tenore (+1)

Fabián Lara

A messenger

Regia

Regia (+4)

Hugo De Ana

Scenografia

Basso (+4)

Deyan Vatchkov

The King of Egypt

Costumi

Video

Video (+2)

Sergio Metalli

Teatro Real de Madrid

Chorus

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Teatro Real

Direttore d'orchestra

Direttore d'orchestra (+2)

Nicola Luisotti

Soprano (+1)

Jaquelina Livieri

A high priestess

Mezzosoprano (+5)

Sonia Ganassi

Amneris

Mezzosoprano (+2)

Ketevan Kemoklidze

Soprano (+3)

Krassimira Stoyanova

Aida

Daniel Oren

Jamie Barton

Tenore (+4)

Piotr Beczała

Radames

Tenore (+3)

Yusif Eyvazov

Basso (+3)

Alexander Vinogradov

Ramfis

Basso (+2)

Jongmin Park

Basso-baritono (+7)

Carlos Álvarez

Amonasro

Baritono (+2)

Artur Rucinski

Soprano

Roberta Mantegna

Tenore

Jorge de León

Basso-baritono (+3)

Simón Orfila

Gevorg Hakobyan

Soprano (+5)

Anna Netrebko

Marta Bauzà

Maria Agresta

Direttore d'orchestra (+1)

Diego García Rodríguez

Vittoria Yeo

Yonghoon Lee

One of the greatest ironies of grand opera – the total spectacle of early Romanticism – is that its legacy has come down to us mainly through foreign surrogates such as Aida, whose Cairo premiere in 1871 was surrounded by all the paraphernalia reserved for the great geopolitical conclaves. Far from giving in to the vulgar trickery characteristic of this genre, this masterpiece and turning point in Verdi's production turned the massive scenes into an integral part of the drama –and not a mere spectacle– and infused its creatures with a fire that reaches solar temperatures in their last act, before melting into a loving embrace of resignation and oblivion.

Any production that claims to live up to this work must overcome no less thorny challenges: that the drama shines above the show and that the passions give off their fiery brilliance without burning in the morbid flames of the feuilleton. Almost a quarter of a century after its premiere in 1998, these are precisely the keys that explain the validity of this historic production by Hugo de Ana in an updated revival to demonstrate once again –forgive the redundancy– its perennial relevance.

italiano

Madrid

Spagna

Sala Principal

Aida Verdi

Scenica

Opera

El Teatro Real recupera una de las producciones más monumentales y emblemáticas de su pasado reciente, #AidaTR, de Giuseppe Verdi, estrenada en 1998 con dire...

Approvato

Aida, Verdi

Cast

Un messaggero

Il Re d'Egitto

Una sacerdotessa

Amneris

Aida

Radamès

Ramfis

Amonasro

Team creativo

Regia

Direttore d'orchestra

Scenografia

Costumi

Direzione del coro

Luci

Coreografia

Video

Strumentazione

Produttore

Produttore

Ensemble

Orchestra

Coro

Co-produttore

Co-produttore

Video correlati

Foto

Informazioni

Compositore

Libretto

Descrizione

Sinossi della produzione