Name: Airs d’opéra
Start: 2022-10-12T00:00:00.000Z
End: 2022-10-14T00:00:00.000Z
Location: Opéra Grand Avignon

Organization

Festival Palazzetto Bru Zane à Paris

Dyrygent

Débora Waldman

Śpiewak

Mezzosopran

Karine Deshayes

Delphine Haidan

Orchestra

Orchestre National Avignon-Provence

Airs d’opéra

Paryż

Francja

Philharmonie de Paris

Awinion

Opéra Grand Avignon

Airs d’opéra: Concert Various

Public

Koncert

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Tenor

Bas - baryton

Kontralt

Sopran

Baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Pour les compositrices, l’accession à la scène a été difficile durant tout le XIXe siècle : Fausto de Louise Bertin (Théâtre-Italien, 1831) et Mazeppa de Clémence de Grandval (Opéra de Bordeaux, 1892) font exception. Afin d’aborder l’art lyrique, Pauline Viardot propose, pour sa part, un opéra de salon (Le Dernier Sorcier, 1867).

français

It will come as no surprise that alongside pages by Rossini, Berlioz and Gluck, Debora Waldman has chosen to let us hear arias composed by Louise Bertin and Pauline Viardot. Trained at the Conservatoire National Supérieur de Musique de Paris and having started her career as Kurt Masur's assistant at the Orchester National de France, this conductor was the first woman to lead a nationally-labelled formation, in 2020. Particularly committed in transmission, she takes a close interest in little-known or even unknown works by female composers. In 2019, she thus created Charlotte Sohy's "Great War" Symphony , of which she had found the score: the story is told in The Forgotten Symphony, a book co-written with journalist Pauline Sommelet. Place this time to two composers of the 19th century: Louise Bertin, who collaborated in particular with Victor Hugo (no less!), and Pauline Viardot, best known as a singer.

English

Airs d’opéra by Various, śr 12 paź 2022, od (2022/2022), Dyrygent Débora Waldman, Opéra Grand Avignon, Awinion, Francja

Udział w spektaklu (Obsada & realizacja )

Obsada

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca