Organization

Reżyseria

Krešimir Dolenčić

Kristina Grubiša

Dyrygent

Ivan Scepanovic

HNK Zagreb

Orchestra

Orkestar Opere Hrvatskoga Narodnog Kazalista u Zagrebu

Others

Choir HNK Zagreb

Music Academy of the University of Zagreb

Śpiewak

Benjamin Šuran

Amphytrion

Davor Nekjak

Zeus

Roko Radovan

Sosias

Aljaž Žgavc

Tomislav Jukic

Merkur

Luka Cevizovic

Kikinis

Dorian Stipčić

Lobel Barun

Bakho

Tena Lončarević

Alkmena

Marija Salečić

Dina Jularić Ivančić

Charis

Gabriela Hrženjak

Venera

Martina Menegoni

Noć

Josip Galić

Josip Švagelj

Vinka Siladi

Marija Jurić

Ines Grubišić

Lena Brkljačić

Noćne ure

Darija Gazdek

Hana Ilčić

Vlatka Kladarić

Jelena Knezović

Lara Knežević

Marie Lucia Kossjanenko

Helena Kralj

Hana Sever

Rea Veseli

Marija Vukšić

Marija Žalac

Klara Baraba

Venerine pratnje

Lorena Dragomanović

Ana Hrvatin

Petra Spahija

Gabrijela Kambić

Bakhantice

Isabela Eva Ljubičić

Lea Filipčić

Mina Ugrin

Damjan Humski

Satiri

Andrija Nazlić

Marko Gašparović

Viktor Konstandinović

Vid Begić

Bogovi

Reza Fekri Kenazeh

Ivan Grlić

Matko Jukić

Timon Špalj

Lucia Luque Akrap

Božice

Dora Dimić Rakar

Tara Dorotić

Jona Zupković

Matija Fortuna

Mateo Narancic

Przygotowanie chóru

Jasenka Ostojić

Reżyseria światła

Bartol Pejković

Choreografia

Margareta Sinković

Assistant Conductor

Assistant Chorus Master

Martin Pleše

Kostiumy

Barbara Bourek

Irene Šabarić

Franke Karin

Ana Sutlović

Martinie Ire Glogar

Ivane Čorak

Veronike Lovreškov

Ive Divjak

Scenografia

Tanje Lacko

Ivo Knezović

Denis Rubinić

Members of the Choir and Orchestra of the Music Academy of the University of Zagreb

Amfitrion

Zagrzeb

Chorwacja

Amfitrion Papandopulo

Public

Private

Delfina Gago

Approved

Opera Amphitryon that the great composer of Croatian music Boris Papandopulo composed in his youth had its world premiere on the stage of the CNT in Zagreb in 1940 with great success. Afterwards, the music score mysteriously disappeared, and the work was considered lost for many years, until recently when it was found again. The opera is based on a humorous libretto written by Mijo Štimac and Enrico Golisciani after Molière's anthological work carrying the same title. Amphitryon, a music parody in three acts, brings a version of the mythological story on gods Zeus and Mercury who take on human form and characters in order to seduce the wives of two mortals, the Theban commander Amphitryon and his officer Sosia. This particular comedy of errors leads to a series of amusing, funny and intriguing plots, while the brilliant orchestration contains a series of remarkable arias, masterly choir and brilliant ensemble parts. Composed on the eve of the great world war, opera Amphitryon is, according to the words of the author, conceived as a work that will in a difficult, critical and depressive time brighten and make the audience laugh. The work has the form of older operas, almost like an opera buffa or singspiel and contains several ballet numbers with popular dances of the time such as foxtrot or tanga. The work will be put on the Zagreb stage after more than 80 years since the world opening night in a large project including several artistic academies led by the Music Academy in Zagreb.

English

Mladenačka opera velikana hrvatske glazbe Borisa Papandopula Amfitrion praizvedena je s golemim uspjehom na sceni zagrebačkoga HNK 1940. godine. Zatim je partitura opere misteriozno nestala i djelo je godinama slovilo kao izgubljeno, da bi tek nedavno bilo pronađeno. Opera se temelji na duhovitu libretu Mije Štimca i Enrica Goliscianija napisanom prema istoimenu Molièreovu antologijskom djelu. Muzička parodija u tri čina Amfitrion donosi inačicu mitološke priče o bogovima Zeusu i Merkuru koji poprimaju ljudski lik i karaktere kako bi dvojici smrtnika – tebanskom vojskovođi Amfitri- onu i njegovu odronancu Sosiasu – zaveli žene. Ova svojevrsna komedija zabluda dovodi do niza zabavnih, smiješnih i intrigantnih zapleta u radnji, dok briljantna orkestracija sadrži niz upečatljivih arija, majstorskih zborova i sjajnih ansambala. Skladana u predvečerje velikoga svjetskog rata opera Amfitrion je prema riječima samoga autora zamišljena kao djelo koje će u teško, kritično i depresivno vrijeme moći razvedriti i nasmijati publiku. Djelo je oblikovano na način starijih opera, gotovo kao opera buffa ili singspiel, a sadrži i niz baletnih točaka s tada popularnim plesovima, poput foxtrota ili tanga. Djelo će poslije više od 80 godina od praizvedbe ponovno biti postavljeno na scenu zagrebačkoga HNK u velikome projektu nekoliko umjetničkih akademija predvođenih zagrebačkom Muzičkom akademijom.

hrvatski

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent