Organization

International Festival of Vocal Music "Opera Apriori"

Chanteur

Contre-ténor

Paula Murrihy

Ariodante

Soprano

Albina Latipova

Ginevra

Ekaterina Morozova

Dalinda

Ténor

Bernard Richter

Lurcanio

Basse

José Coca Loza

Le Roi d'Écosse

Vasily Gafner

Odoardo

Direction d'orchestre

Gianluca Capuano

Mise en scène

David Alden

Décors

Ian MacNeil

Costumes

Chorégraphie

Michael Keegan-Dolan

Lumières

Ian Jackson-French

Direction de choeur

Valery Borisov

Contralto

Yuriy Mynenko

Polinesso

italien

Ariodante Händel

Public

russe

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Baryton

Mezzo-soprano

Baryton-basse

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

Handel's "Ariodant" saw the light of day on the stage of the newly opened London Royal Theater, Covent Garden, in 1735. The libretto, based on the famous poem "Furious Roland" by Ludoviko Ariosto, turned out to be devoid of the spectacular transformations and exoticism that were usual for operas of that time. The scene of action was Scotland, and the events and the reaction of the heroes to them - preparations for the wedding of the happy lovers of Princess Ginevra and Prince Ariodant, interrupted by slander, their separation and suffering, and yet the reunion in the finale - were so psychologically reliable that they went beyond the accepted theater of that time etiquette. Queen Carolina wrote after attending the premiere: “They say that the opera is so pathetic and gloomy that everyone who visits it is imbued with this impression and returns home upset.”

History, which seemed too dark to the public of the 18th century, nowadays sounds modern and exciting. It is no coincidence that now "Ariodant" is one of the most demanded baroque operas. The geography of his productions over the past decade alone numbers more than 30 European and American cities, including Vienna, Salzburg, London, Stuttgart, Dublin, Barcelona, ​​Madrid, Paris, Toronto, Chicago and many others.

In Russia, "Ariodanta" was heard only in concert performance. Its production on the New Stage (following Rodelinda and Altsina) will be a continuation of the Bolshoi Theater's series of Handel premieres. The appearance of "Ariodant" is expected with particular interest also because it will be directed by the American director David Alden, already familiar to the Moscow public. It was he who carried out one of the most successful projects of the Bolshoi Theater - the production of Britten's opera "Billy Budd" (co-produced with the English National Opera and the German Opera of Berlin), a performance that won the Golden Mask Prize in the nominations for Best Opera Performance and Best the work of the artist "(2018). Conductor Gianluca Capuano, renowned in Europe for his interpretations of operas from Monteverdi to Rossini and Donizetti, will perform at the Bolshoi Theater for the first time

English

Ariodante by Händel, jeu. 09 déc. 2021, Du (2021/2021), Dirigé par David Alden,, Chef d'orchestre Gianluca Capuano

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles